フォーマット |
CD |
---|---|
構成数 |
2 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2006年04月30日 |
---|---|
規格品番 |
SANC06076860152 |
レーベル |
|
SKU |
060768601529 |
構成数 | 2枚
合計収録時間 | 00:49:58
Personnel: Morrissey (vocals); Alain Whyte (guitar, background vocals); Jesse Tobias, Boz Boorer (guitar); Michael Farrell (trumpet, trombone, piano, organ, keyboards, percussion); Gary Day (bass guitar); Matt Chamberlain (drums). Despite his status as one of the most iconic and enduring figures in alternative rock, Morrissey's solo output has been somewhat uneven, artistically speaking. But from its faux-classical album cover to its churning musical surfaces to its array of both bleak and celebratory themes, the artist's 2006 release, RINGLEADER OF THE TORMENTORS, shows that the subversive spirit driving Morrissey's unique perspective, arch posturing, and witty, literate lyrics is still alive and kicking. To boot, the album is produced by Tony Visconti, the masterful hand behind some of T. Rex and David Bowie's best efforts. Visconti's touch is evident on "I Will See You in Far Off Places," a heavy, rocking opener that moves with a sense of menace. This is contrasted by the beautiful "Dear God Please Help Me," a chamber-pop ballad orchestrated by legendary film composer Ennio Morricone. That song and the album's first single, "You Have Killed Me," are surprisingly joyful and life-affirming, at least for Morrissey, that is. (Fans needn't worry, however, the old morose Moz is still here on tunes like "Life is a Pigsty"). All told, RINGLEADER is one of Morrissey's most vital statements in some time.
録音 | ステレオ (Studio)
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1.[CD]
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1.I Will See You in Far Off Places
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2.Dear God, Please Help Me
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3.You Have Killed Me
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4.Youngest Was the Most Loved, The
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5.In the Future When All Is Well
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6.Father Who Must Be Killed, The
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7.Life Is a Pigsty
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8.I'll Never Be Anybody's Hero
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9.On the Street I Ran
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10.To Me You Are a Work of Art
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11.I Just Want to See the Boy Happy
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12.At Last I Am Born
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2.[DVD]
-
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大復活作から2年、機関銃をヴァイオリンに持ち替えて、モリッシー様がふたたびシーンに現れた! ゲストにエンニオ・モリコーネ、プロデューサーにトニー・ヴィスコンティという巨匠を迎えた本作は、本人いわく〈優しく美しく、慈しみのある〉作品。前作での銃弾の如き殺傷力は薄れて、子供のコーラスを採り入れるなど、スミス時代から受け継がれる〈邪悪な陽性〉が前面に押し出された円熟のポップ・アルバム。
bounce (C)加賀 龍一タワーレコード (2006年04月号掲載 (P83))
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