Soul/Club/Rap
CDアルバム

Peruments

0.0

販売価格

¥
2,519
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2006年03月24日
国内/輸入 輸入
レーベルMDM/Meteosound
構成数 1
パッケージ仕様 -
規格品番 88139043902
SKU 881390439027

構成数 : 1枚
合計収録時間 : 00:46:28

  1. 1.[CDアルバム]
    1. 1.
      Music Ohne Sound

      アーティスト: Daniel Meteo

    2. 2.
      Without Don't It Ain't

      アーティスト: Daniel Meteo

    3. 3.
      Chop Stick

      アーティスト: Daniel Meteo

    4. 4.
      Ghost Story

      アーティスト: Daniel Meteo

    5. 5.
      1000 Miles

      アーティスト: Daniel Meteo

    6. 6.
      Save Music

      アーティスト: Daniel Meteo

    7. 7.
      Rendered Buildings

      アーティスト: Daniel Meteo

    8. 8.
      (Peru Arrives) Just in Time

      アーティスト: Daniel Meteo

    9. 9.
      Peters Bounce (Eps)

      アーティスト: Daniel Meteo

    10. 10.
      It's Maybe Late for You

      アーティスト: Daniel Meteo

    11. 11.
      Peruments

      アーティスト: Daniel Meteo

    12. 12.
      Good Bye Nice Try

      アーティスト: Daniel Meteo

作品の情報

メイン
アーティスト: Daniel Meteo

商品の紹介

erlin's electronic music scene is full of guys who spend so much time producing, DJing and remixing that they never get around to releasing any original music of their own. Local star Daniel Meteo (well-regarded remixer, owner of the Meteosound label and, with Tom Thiel, half of the duo Bus) has finally released an album under his own name, and it's a thing of subtle and sometimes elegant beauty. Peruments was the name he gave to a folder on his computer's hard drive, one in which he tucked away musical ideas that didn't seem to fit well with his other projects. Pulled out of hiding, refined and reshaped, these ideas emerge as surprisingly delicate slices of glitchy, dubby, largely house-derived dancefloor thinking that draw your attention as well as nudging your hips into motion. At certain moments he does the seemingly impossible, as when he takes blippy, bloopy synthesizer doodles and makes them sound warm and human on "(Peru Arrives) Just in Time"; at others he juxtaposes unlikely elements and puts them to unexpected use, as when he tucks Fred Frith-style guitar clangor up next to a vaguely creepy spoken word snippet and harnesses both to a bouncy dance beat. And every once in a while it sounds as if he should have spent a bit more time refining his raw material: "Peters Bounce (Eps)" and "It's Maybe Late for You" rely a bit too much on what sounds like haphazardly layered cheapo synth percussion. Overall, though, this is very promising stuff from someone who will hopefully take time out from his busy schedule to give us more in the near future. ~ Rick Anderson|
Rovi

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