Rio Grande Blood

インダストリアル・ロック/メタルというジャンルを確立しつつ、今なおシーンの核として活動するミニストリーの2年ぶりオリジナル・アルバム！これまで以上にポリティカルな面を打ち出し、現在のアメリカへの痛切なメッセージを叩きつける！

Outraged, out of control, and a little bit out of ideas, Ministry unleashes their second attack on President George W. Bush with Rio Grande Blood, number two in Al Jourgensen's promised Bush-hating trilogy, which when finished will bring his Ministry project to a close. The manipulated Bush samples and hate-filled revolution lyrics utilized on 2004's great Houses of the Mole are back, and if there's an easy way to differentiate that album from what is essentially Mole, Pt. 2, it's the contribution Prong guitarist Tommy Victor makes to this edition of Ministry, giving Rio Grande Blood a tauter crunch, a sharper thrash. Victor's influence extends past the tracks he appears on, as evidenced by the opening title track, which finds Jourgensen creating a Prong-ish juggernaut on his lonesome. While lumbering numbers like "Fear (Is Big Business)" and "Yellow Cake" will do little to attract new fans -- and the reappearance of the Rantology compilation's "The Great Satan" feels like a cheat -- there's plenty of that smart, topical bile that's uniquely Jourgensen to steady the album. Vicious thrash-punk of the highest order, "Lieslieslies" isn't afraid to question the "truth" about 9/11 and the way "Gangreen" parodies the Marines' cry of "Ooh-rah!" makes it a charming moment for pipe-bomb revolutionaries. If they happened to skip the last full-length, Ministry fanatics would do well to start here and then work their way up to the superior Houses of the Mole. Save a couple brilliant tracks, this is just the usual "satisfying follow-up." ~ David Jeffries

インダストリアル・メタルの帝王が放つ新作は、現代のアメリカ批判とポリティカルなメッセージを盛り込んだ、これまで以上に怒りに満ちた作品。盟友のジェロ・ビアフラも参加し、相変わらずの毒を発している。スラッシーなギターと怒濤のマシーン・ビートはもはや御家芸だが、同じ路線を続けながらもマンネリ化せず、常にエクストリームな存在であり続ける……そんなバンドはスレイヤーとミニストリーだけだ。
bounce (C)粟野 竜二