Rock/Pop
CDアルバム

Rapture Of The Deep (Limited Tour Edition)

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販売価格

¥
3,069
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2006年02月24日
国内/輸入 輸入
レーベルEdel
構成数 1
パッケージ仕様 -
規格品番 ERE0169352
SKU 4029758693520

構成数 : 1枚
合計収録時間 : 00:00:00
Deep Purple's 2005 album Rapture of the Deep generally maintains the quality of 2003's surprisingly sturdy Bananas. It's the second release from the re-energized lineup of vocalist Ian Gillan, guitarist Steve Morse, bass guitarist Roger Glover, drummer Ian Paice, and keyboardist Don Airey, who replaced the retired Jon Lord. The band's comfort level has increased, and after nearly a decade onboard, Morse's stamp is all over the place. At first, this guitar genius' presence was noticeable because of what it lacked -- the incredibly distinctive Fender Stratocaster electric guitar tone of Ritchie Blackmore. Thus, sometimes Deep Purple didn't sound like Deep Purple. However, the variety of tones Morse incorporates in his style gives the pioneering heavy metal quintet more sonic weaponry. Airey's long, respectable career as a journeyman keyboardist-for-hire pretty much guaranteed he would largely adopt Lord's organ-based style, at least at first, but he has expanded his sound on Rapture of the Deep too. "Money Talks," "Girls Like That," and "Wrong Man" ride strong riffs and rhythms into decent grooves. "Rapture of the Deep" floats along on a lightly hypnotic wave. The mature ballad "Clearly Quite Absurd" has a lilting, controlled tempo, and it's the biggest surprise on the album; Gillan's singing is appropriately subdued while Airey's piano supplies the beauty and Morse's gradually ascending riffs toward the end build the tension. "MTV" is a vicious, bile-spewing, all-out attack on how the modern music industry treats classic rock/heritage artists, although in 2005 Deep Purple clearly appeals more to VH1 Classic than MTV. Initially, the song risks biting the hand that feeds by correctly criticizing classic rock radio for not playing new music by veteran artists. The last verse is a cannon blast that pummels clueless, uninformed disc jockeys who, during interviews, butcher artists' names ("Mr. Grover 'n' Mr. Gillian"), get facts wrong (misinterpreting the Frank Zappa-inspired "Smoke on the Water" legend), and avoid in-depth discussion of new music (like Bananas) in order to record more station IDs. Rapture of the Deep -- Deep Purple's first album for Eagle Records -- misses equaling Bananas by a notch or two, but it's a good example of how many veteran artists still maintain creative vitality. ~ Bret Adams

  1. 1.[CDアルバム]
    1. 1.
      Money Talks

      録音:Studio

      アーティスト: Deep Purple

    2. 2.
      Girls Like That

      録音:Studio

      アーティスト: Deep Purple

    3. 3.
      Wrong Man

      録音:Studio

      アーティスト: Deep Purple

    4. 4.
      Rapture Of The Deep

      録音:Studio

      アーティスト: Deep Purple

    5. 5.
      Clearly Quite Absurd

      録音:Studio

      アーティスト: Deep Purple

    6. 6.
      Don't Let Go

      録音:Studio

      アーティスト: Deep Purple

    7. 7.
      Back To Back

      録音:Studio

      アーティスト: Deep Purple

    8. 8.
      Kiss Tomorrow Goodbye

      録音:Studio

      アーティスト: Deep Purple

    9. 9.
      Junkyard Blues

      録音:Studio

      アーティスト: Deep Purple

    10. 10.
      Before Time Began

      録音:Studio

      アーティスト: Deep Purple

    11. 11.
      Rapture Of The Deep (live/bonus track)

      録音:Studio

      アーティスト: Deep Purple

    12. 12.
      Wrong Man (live/bonus track)

      録音:Studio

      アーティスト: Deep Purple

    13. 13.
      Highway Star (live/bonus track)

      録音:Studio

      アーティスト: Deep Purple

    14. 14.
      Smoke On The Water (live/bonus track)

      録音:Studio

      アーティスト: Deep Purple

作品の情報

メイン
アーティスト: Deep Purple

商品の紹介

Mojo - 3 stars out of 5 - "Purple are sounding astonishingly fresh. The album's standout track, 'Clearly Quite Absurd', is an elegant meditation on love and misunderstanding..."
Rovi

Deep Purple's 2005 album Rapture of the Deep generally maintains the quality of 2003's surprisingly sturdy Bananas. It's the second release from the re-energized lineup of vocalist Ian Gillan, guitarist Steve Morse, bass guitarist Roger Glover, drummer Ian Paice, and keyboardist Don Airey, who replaced the retired Jon Lord. The band's comfort level has increased, and after nearly a decade onboard, Morse's stamp is all over the place. At first, this guitar genius' presence was noticeable because of what it lacked -- the incredibly distinctive Fender Stratocaster electric guitar tone of Ritchie Blackmore. Thus, sometimes Deep Purple didn't sound like Deep Purple. However, the variety of tones Morse incorporates in his style gives the pioneering heavy metal quintet more sonic weaponry. Airey's long, respectable career as a journeyman keyboardist-for-hire pretty much guaranteed he would largely adopt Lord's organ-based style, at least at first, but he has expanded his sound on Rapture of the Deep too. "Money Talks," "Girls Like That," and "Wrong Man" ride strong riffs and rhythms into decent grooves. "Rapture of the Deep" floats along on a lightly hypnotic wave. The mature ballad "Clearly Quite Absurd" has a lilting, controlled tempo, and it's the biggest surprise on the album; Gillan's singing is appropriately subdued while Airey's piano supplies the beauty and Morse's gradually ascending riffs toward the end build the tension. "MTV" is a vicious, bile-spewing, all-out attack on how the modern music industry treats classic rock/heritage artists, although in 2005 Deep Purple clearly appeals more to VH1 Classic than MTV. Initially, the song risks biting the hand that feeds by correctly criticizing classic rock radio for not playing new music by veteran artists. The last verse is a cannon blast that pummels clueless, uninformed disc jockeys who, during interviews, butcher artists' names ("Mr. Grover 'n' Mr. Gillian"), get facts wrong (misinterpreting the Frank Zappa-inspired "Smoke on the Water" legend), and avoid in-depth discussion of new music (like Bananas) in order to record more station IDs. Rapture of the Deep -- Deep Purple's first album for Eagle Records -- misses equaling Bananas by a notch or two, but it's a good example of how many veteran artists still maintain creative vitality. ~ Bret Adams|
Rovi

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