| フォーマット | CDアルバム |
| 発売日 | 2000年08月01日 |
| 国内/輸入 | 輸入 |
| レーベル | Word/Epic |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 886036 |
| SKU | 074646106822 |
構成数 : 1枚
合計収録時間 : 00:45:44
Personnel includes: Rachael Lampa (vocals); Chris Rodriquez (acoustic, electric & nylon-string guitars, background vocals); Jerry McPherson (guitar); Brent Bourgeous (piano, programming, background vocals); Bernie Herms (piano, programming); Chris Eaton (piano, background vocals); Dan Muckala (piano); Jim Hemerly (Hammond B-3 organ); Tommy Sims, Jimmie Lee Sloas (bass); Chris McHugh, Steve Brewster, Chad Cromwell (drums); Eric Darken (percussion); Jeremy Bose (programming); Lisa Cochran, Nicol Smith, Nirva Dorsaint, Tiffany Palmer, Gene Miller, Wendy Moten, Darwin Hobbs, Michael Mellett, Cindy Morgen, Nicole C. Mullen, Molly Felder, Rachel Gaines (background vocals).
Producers: Brown Bannister, Brent Bourgeois.
Recorded at Sound Kitchen, Franklin, Tennessee.
Personnel: Rachael Lampa (background vocals); Chris Rodriguez (guitar, acoustic guitar, electric guitar, nylon-string guitar, background vocals); Jerry McPherson (guitar); London Session Orchestra (strings); Brent Bourgeois (piano, programming, background vocals); Dan Muckala, Bernie Herms (piano, programming); Chris Eaton (piano, background vocals); Chris McHugh, Steve Brewster, Chad Cromwell (drums); Eric Darken (percussion); Jeremy Bose (programming); Jimmie Lee Sloas (bass programming); Cindy Morgan, Darwin Hobbs, Gene Miller , Lisa Cochran, Molly Felder, Nicole C. Mullen, Nirva Dorsaint, Tiffany Palmer, Wendy Moten, Nicol Sponberg, Michael Mellett (background vocals).
Audio Mixer: Steve Bishir.
Recording information: EMI Abbey Road Studios, London, England; SOund Kitchen, Franklin, TN.
Photographer: Tony Baker .
Arranger: Tom Howard.
Sunday school was never like this. If you didn't notice the Christian message implicit in her lyrics (that is to say, if you were completely unfamiliar with the English language), you wouldn't think twice about classifying Rachael Lampa as part of the breed of young female singers that took the charts by storm in 1999 and 2000. Her blend of pop songwriting, R&B vocals, and hip-hop production techniques places her stylistically in line with the likes of Britney Spears, Christina Aguilera, et al.
What makes Lampa different is that her lyrics are spiritually oriented without even nodding toward gospel's musical tradition. She moves easily from churning dance grooves to big-production balladry without straying towards the secular. Even on the title tune, when Lampa declares "I live for you," it's no mere object of earthly desire she's talking to; it's the big man upstairs.
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