| フォーマット | CDアルバム |
| 発売日 | 2006年02月10日 |
| 国内/輸入 | 輸入 |
| レーベル | UCJ |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 609302 |
| SKU | 602498791424 |
構成数 : 1枚
合計収録時間 : 01:02:37
Composer: John Williams .
Personnel: Lisbeth Scott (vocals); Dean Parks (guitar); Jo Ann Turovsky (harp); Eun Mee Ahn, Irina Voloshina, Anatoly Rosinsky, Katia Popov, Ana Landauer, Alan Grunfeld, Helen Nightengale, Ken Yerke, Phillip Levy , Bing Wang, Rene Mandel, Sara Parkins, Radu Pieptea, Eric J. Hosler, Kevin Connolly , Lisa M. Sutton , Richard Altenbach, Roberto Cani, Bruce Dukov, Clayton Haslop, Sarah Thornblade, Roger Wilkie, Dimitrie Leivici, Miwako Watanabe, Rafael Rishik, Endre Granat (violin); Shawn Mann, Thomas Diener, Michael Nowak , Marlow Fisher, Steve Gordon, Brian Dembow, Keith Greene, Roland Kato, Janet Lakatos, Simon Oswell, Darrin McCann, Robert Berg (viola); Timothy Landauer, Paul Cohen , Chris Ermacoff, David H. Speltz, Andrew Shulman , Antony Cooke , Stephen Erdody , Armen Ksadjikian, Cecilia Tsan, John Walz (cello); Steve L. Roberts, Joshua Ranz, Ralph Williams (clarinet, bass clarinet); Gary Bovyer (clarinet); John MacArthur Ellis (oboe); Pedro Eustache (woodwinds); William Booth , George Thatcher, William Frank "Bill" Reichenbach Jr. (trombone); Doug Tornquist (tuba); James Thatcher, Steven Becknell, Richard Todd (horns); Chet Swiatkowski, Gloria Cheng, Randy Kerber (piano); Alan Estes, Tomas Raney, Gregory Goodall, Jerry Williams , Mike Fisher (percussion).
Audio Mixer: Shawn Murphy.
Liner Note Author: Steven Spielberg .
Recording information: Sony Pictures Studios; Culver City; California.
Editors: Ken Wannberg; Ramiro Belgardt.
Easily one of John Williams's finest film scores of the early 21st century, this album finds the prolific composer offering up appropriately moody orchestral pieces for Steven Spielberg's acclaimed drama, MUNICH, which is based on events following the massacre of Israeli Olympic athletes in 1972. From the mournful "Munich 1972" to the tense "Letter Bombs" to the pensive "Avner's Theme" to the gentle "End Credits," Williams's string-driven music effectively conveys the dramatic ebb and flow of Spielberg's masterly movie.
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