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Country/Blues
CDアルバム

El Corazon

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フォーマット CDアルバム
発売日 1999年04月30日
国内/輸入 輸入
レーベルE Squared
構成数 1
パッケージ仕様 -
規格品番 46789
SKU 093624678922

構成数 : 1枚
合計収録時間 : 00:45:07
Personnel includes: Steve Earle (vocals, guitar, acoustic, electric & 12-string guitars, mandola, harmonica, harmonium); Mark Stuart (vocals, acoustic guitar, mandolin, mandola); Brad Jones (vocals, bass); Ross Rice (vocals, drums); Emmylou Harris, Siobhan Kennedy (vocals); David Steele (guitar, electric guitar); Tommy Hannum (pedal steel & steel guitars); Jim Hoke (baritone saxophone); Michael Smotherman (organ); Ray Kennedy (harmonium, hand drum, shaker, tambourine); Roy Huskey Jr. (bass); Brady Blade (drums, percussion, rub board, tambourine); Dancing Eagle (drums); The Fairfield Four, The Supersuckers. The Del McCoury Band: Del McCoury (vocals, guitar); Ronnie McCoury (vocals, mandolin); Rob McCoury (banjo); Jason Carter (fiddle); Mike Bubb (bass). Recorded at Room & Board, Nashville, Tennessee and Ironwood Studios, Seattle, Washington. Includes liner notes by Steve Earle. All tracks have been digitally mastered using HDCD technology. EL CORAZON was nominated for a 1999 Grammy for Best Contemporary Folk Album. Personnel: Steve Earle (vocals, guitar, mandola, harmonica, harmonium); Del McCoury (vocals, guitar); Ronnie McCoury (vocals, mandolin); Ross Rice (vocals, drums); Emmylou Harris (vocals); Mark Stuart (acoustic guitar, mandolin); Justin Townes Earle, Dan Bolton, Renaldo Allegre, David Steele (electric guitar); Tommy Hannum (steel guitar); Rob McCoury (banjo); Jason Carter (fiddle); Ray Kennedy (harmonium, drums, shaker, tambourine); Michael Smotherman (organ); Rev. Brady Blade (drums, washboard, tambourine, percussion); Dancing Eagle (drums). Unknown Contributor Roles: Supersuckers; The Fairfield Four. Steve Earle was a country-rock renegade when Uncle Tupelo were still in short pants and NO DEPRESSION was an inscription on a Prozac bottle. EL CORAZON stands as a milestone in the long, checkered career of an artist who's been to hell and back without losing an ounce of his songwriting talent. This uniformly excellent batch of tunes alternates between gentle acoustic ballads and hard-rocking numbers that could give those grunge boys a run for their money. (In fact, Seattle's Supersuckers guest on one track.) On the opener, "Christmas in Washington," Earle invokes the spirit of bygone heroes like Woody Guthrie and Martin Luther King in service of an unpretentious folk ballad of socio-political discontent. He shows off his storytelling chops on the rocking "Taneytown," supported by the breathy harmonies of Emmylou Harris. The elegiac "Ft. Worth Blues" pays tribute to Earle's old running buddy and primary influence, the late Townes Van Zandt. Throughout, the album lives up to its title, spilling messy emotions all over the place and wallowing in the carnage.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Christmas in Washington

      アーティスト: Steve Earle

    2. 2.
      Taneytown

      アーティスト: Steve Earle

    3. 3.
      If You Fall

      アーティスト: Steve Earle

    4. 4.
      I Still Carry You Around

      アーティスト: Steve Earle

    5. 5.
      Telephone Road

      アーティスト: Steve Earle

    6. 6.
      Somewhere Out There

      アーティスト: Steve Earle

    7. 7.
      You Know the Rest

      アーティスト: Steve Earle

    8. 8.
      N.Y.C.

      アーティスト: Steve Earle

    9. 9.
      Poison Lovers

      アーティスト: Steve Earle

    10. 10.
      The Other Side of Town

      アーティスト: Steve Earle

    11. 11.
      Here I Am

      アーティスト: Steve Earle

    12. 12.
      Ft. Worth Blues

      アーティスト: Steve Earle

作品の情報

メイン
アーティスト: Steve Earle

その他
プロデューサー: The Twangtrust
エンジニア: Ray Kennedy; Jon Dunleavy
アーティスト: Emmylou Harris

商品の紹介

Rolling Stone (12/11/97, p.78) - 4 Stars (out of 5) - "...Earle's strongest statement to date about what makes his heart beat and blood boil....he straddles a bunch of styles with the nimble ease of a homespun visionary who correctly sees that ultimately it's all one..." Entertainment Weekly (10/17/97, p.77) - "Eleven years after his prescient debut, this prickly alt-country survivor's insights into institutional callousness...romantic longing...and personal iconoclasm...resonate with hard-won wisdom..." - Rating: A- Village Voice (2/24/98) - Ranked #11 in the Village Voice's 1997 Pazz & Jop Critics' Poll. Mojo (Publisher) (6/00, p.43) - "If you had to get just one Steve Earle record, then this is it. Stylistically, it covers all of his bases, from acoustic balladry to fuzzed-up grunge and consistently marries brilliant songwriting to brilliant playing..." Paste (magazine) - "[I]t documents Earle not only at the height of his powers, but also at the golden point of his journey from left-of-center country-rock dude to enlightened cosmo-folk guru."
Rovi

Anyone who figured that Steve Earle's triumphant return to form on I Feel Alight was either a fluke or a burst of second wind attributable to his return to health got the message that Earle was back to stay with 1997's El Corazon. El Corazon isn't as consistently strong as I Feel Alright and lacks a bit of that album's thematic unity, but the high points connect just as powerfully, and the album kicks off with a tremendous one-two punch, the rousing acoustic ballad "Christmas in Washington" and "Taneytown," a harrowing story of race and violence backed with gale-force electric guitars. El Corazon is also a good bit more eclectic than much of Earle's previous work, dipping into bluegrass ("You Know the Rest," featuring backing from the Del McCoury Band), old-school country ("The Other Side of Town"), hard rock ("N.Y.C.," co-starring the Supersuckers, and "Here I Am"), and vintage R&B ("Telephone Road"). As its title suggests, El Corazon often deals with matters of the heart, expressed with particular eloquence on "Poison Lovers" and "If You Fall," though the song's most emotionally resonant moment comes with its closing song, "Ft. Worth Blues," a moving farewell to Earle's longtime friend and mentor Townes Van Zandt. Earle co-produced El Corazon with frequent studio partner Ray Kennedy, and the record sounds superb, with the vocals rich and the guitars potent, confirming that Earle is the best judge of his own recorded work. El Corazon isn't the instant classic that I Feel Alright was, but it's more than good enough to show that Earle was a major talent not about to go away, and it ranks with his most vital work. ~ Mark Deming
Rovi

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