構成数 | 1枚

合計収録時間 | 00:56:19

Personnel includes: Dizzy Gillespie (trumpet); Leo Wright (alto saxophone, flute); Ernie Henry (alto saxophone); James Moody (tenor saxophone, flute); Benny Golson, Sonny Stitt (tenor saxophone); Pee Wee Moore (baritone saxophone); Lee Morgan (trumpet); Melba Liston, Al Grey (trombone); Wynton Kelly, Kenny Barron, Lalo Schifrin, Junior Mance, Ray Bryant (piano); Les Spann (guitar); Chris White, Sam Jones, Tommy Bryant (bass); Charlie Persip, Lex Humphries (drums); Jose Mangual (bongos); Candido Camero, Rafael Miranda, Chino Pozo (congas); Ubaldo Nieto (timbales). Recorded between 1954 and 1964. Includes liner notes by James Isaacs. Digitally remastered by Mark Wilder and Dennis Drake (Polygram Studios). Personnel: Dizzy Gillespie (trumpet); Tzigane Elek Bacsik, Les Spann (guitar); Leo Wright (flute, alto saxophone); James Moody (flute, tenor saxophone); Gilberto Valdes (flute); Ernie Henry, Jimmy Powell (alto saxophone); Sonny Stitt, Benny Golson, Billy Mitchell (tenor saxophone); Charlie Ventura (baritone saxophone, bass saxophone); Pee Wee Moore (baritone saxophone); Talib Dawud, Lee Morgan , E.V. Perry, Carl Warwick (trumpet); Al Grey, Melba Liston, Chuck Connors (trombone); Junior Mance, Kenny Barron, Lalo Schifrin, Alejandro Hernandez, Ray Bryant, Wynton Kelly (piano); Lex Humphries, Rudy Collins, Charlie Persip (drums); Rafael Miranda, Candido Camero, Chano Pozo ( Luciano "Chano" Pozo Gonzales) (congas); Jose Mangual (bongos); Ubaldo Nieto (timbales); Pepito Riestria, Kansas Fields (percussion). Audio Remasterers: Dennis Drake; Mark Wilder. Liner Note Author: James Isaacs. Recording information: Chicago, IL (06/04/1954-11/06/1964); France (06/04/1954-11/06/1964); New York, NY (06/04/1954-11/06/1964); Newport Folk Festival, Newport, RI (06/04/1954-11/06/1964). Arranger: Dizzy Gillespie. Under its Compact Jazz series, Verve Records has cobbled together ten tracks from albums made for them, or for the Phillips label, from 1954 to 1964. They find Dizzy Gillespie in a variety of settings, with his quintet, his Latin American Rhythm, his orchestra, and in venues both in the United States and overseas. Most of the tunes selected for this collection reflect Gillespie's love affair with Afro-Cuban and other Latin American music, including such cuts as "Night in Tunisia," "One Note Samba," and "Pau de Arara." His groups included some of the top-flight artists then extant and some who were less familiar. His big bands generally had all-star players, including Lee Morgan, Al Grey, and Wynton Kelly. Sonny Stitt joins Gillespie for a small-group 1957 recording of "Con Alma." And, of course, given the nature of the music, some of Gillespie's Latin friends are on hand, including Candido Cameo and Ubaldo Nieto. Throughout it all, Gillespie is in fine fettle with that immediately recognizable, inimitable trumpet style of his, the trumpet that took on its famous bent-bell look during the period covered by these sets. Even though the sound effects get a bit much from time to time, this is a good retrospective of non-bop Gillespie when he was still working with rhythms from south of the border. ~ Dave Nathan

録音 | モノラル／ステレオ (Studio/Live)