Verve Jazz Masters 40: Sings Standards

構成数 : 1枚
合計収録時間 : 01:06:44
Personnel includes: Dinah Washington (vocals); Herb Geller (alto saxophone); Wardell Gray, Ben Webster, Harold Land (tenor saxophone); Clifford Brown, Maynard Ferguson, Clark Terry (trumpet); Gus Chappel (trombone); Terry Gibbs (vibraphone); Wynton Kelly, Junior Mance, Richie Powell (piano); Keter Betts (bass); Max Roach (drums). Recorded between 1952 & 1958. Includes liner notes by Bill Farrar. All tracks have been digitally remastered. Personnel: Dinah Washington (background vocals); Barry Galbraith (guitar); Hal McKusick, Herb Geller, Anthony Ortega, Rick Henderson (alto saxophone); Eddie "Lockjaw" Davis , Eddie Chamblee, Harold Land, Jerome Richardson, Lucky Thompson, Wardell Gray, Ben Webster (tenor saxophone); Danny Bank , Robert Lee Wilson, Charles Davis (baritone saxophone); Don Elliott (trumpet, Mellotron, bongos); Clark Terry, Clifford Brown , Doc Severinsen, Flip Ricard, Maynard Ferguson, Bernie Glow, Jimmy Maxwell, Nick Travis, Charlie Shavers (trumpet); Jimmy Cleveland, Julian Priester, Quentin Jackson, Urbie Green, Gus Chappell (trombone); Tommy Mitchell (bass trombone); Clarence "Sleepy" Anderson, Jack Wilson , Junior Mance, Richie Powell, Wynton Kelly (piano); Jackie Davis (organ); Ed Thigpen, James Slaughter, Jimmy Cobb , Max Roach, Osie Johnson (drums); Terry Gibbs (background vocals). Liner Note Author: Bill Farrar. Recording information: Fine Recording, New York, NY (01/18/1952-07/06/1958); Los Angeles, CA (01/18/1952-07/06/1958); Mercury Sound Studio, New York, NY (01/18/1952-07/06/1958); Newport Jazz Festival, R.I (01/18/1952-07/06/1958); Universal Recording Studios, Chicago, IL (01/18/1952-07/06/1958). Editor: Peter Pullman. Photographer: Herman Leonard. Arrangers: Robare Edmonson; Quincy Jones. Creating yet another series to justify reissuing material from its vaults, this Verve Jazz Masters entry raids albums Dinah Washington recorded for the Mercury label from 1952 through 1958. This is the second Dinah Washington compilation in this series. Although advertised as an album of standards, Washington avoids making these tunes come across as the romantic warhorses most of them are. Rather, her gospel-inspired voice conveys the song's message with a blues, funky tinge that always distinguished her from the rest of the crowd since she began her career at the age of 15. On these tracks, Washington is joined by the creme de la creme of jazz musicians who were part of the Mercury stable during these years. While some of the arrangements were not all that creative, Washington's inimitable style and the playing of her fellow musicians make up for any shortcomings. "I'll Remember April" is an 11-plus minute jam session spotlighting solos by Clifford Brown, Harold Land, Herb Geller, and Junior Mance (or Richie Powell). Washington swings hard on "They Didn't Believe Me" in front of a big band led by Quincy Jones and then goes sentimental on "You Go to My Head" before seguing into a second chorus behind a Latin beat. On the latter track Washington and the unknown group backing her is energized by the urging of a live audience. There's more Latin on "I've Got You Under My Skin" built around the trumpet trio of Clifford Brown, Clark Terry, and Maynard Ferguson. (The liner notes listing of personnel for this track are incorrect). While the album has several excellent instrumental solos, none is better than Rick Henderson's extended alto sax work on "Blue Skies." There's a relaxed traditional jazz atmosphere underlying "All of Me" with Washington chatting away in the background during solos by vibist Terry Gibbs and trombonist Urbie Green. Whatever style or beat, each tune is delivered by Washington's instantly recognizable penetrating but tender voice, buttressed by her consistently precise enunciation. This more than an hour long album is a worthy tribute to the one of a kind vocal skills of Dinah Washington. ~ Dave Nathan
録音 : モノラル／ステレオ (Studio)