| フォーマット | CDアルバム |
| 発売日 | 2005年07月05日 |
| 国内/輸入 | 輸入 |
| レーベル | Bella Union |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | AKR14CD |
| SKU | 656605892627 |
構成数 : 1枚
合計収録時間 : 01:13:59
Personnel: Sufjan Stevens (acoustic guitar, electric guitar, banjo, flute, accordion, recorder, oboe, alto saxophone, piano, organ, Wurlitzer organ, vibraphone, glockenspiel, electric bass, drums, shaker, tambourine, triangle, sleigh bell); Sufjan Stevens (vocals, various instruments); Illinoisemaker Choir (vocals); Rob Moose, Julianne Carney (violin); Maria Bella Jeffers (cello); Daniel Smith (hand claps, background vocals); Rev. Dan Smith (background vocals); Craig Montoro (vocals, trumpet); James McAlister (drums); Elin K. Smith (hand claps, background vocals); Matt Morgan, Shara Worden, Katrina Kerns (background vocals).
Recording information: Carroll Music Studios, New York, NY (2004-2005); Marla's Apartment, Brooklyn, NY (2004-2005); New Jerusalem Recreational Room, Clarksboro, NJ (2004-2005); Redhook, Brooklyn, NY (2004-2005); St. Paul's Episcopal Church, Brooklyn, NY (2004-2005); Sufjan's Apartment, Brooklyn, NY (2004-2005); The Buddy Project, Astoria, Queens (2004-2005); The New Jerusalem Recreational Room, Clarsboro, NJ (2004-2005).
Arranger: Sufjan Stevens.
The second entry from sui generis singer/songwriter Sufjan Stevens in his absurdly ambitious project to make a record for every state in America outdistances even 2003's superb GREETINGS FROM MICHIGAN in scope and beauty. A sweeping paean to the Lincoln state, ILLINOIS weaves together history, personal confession, and detail-filled scenarios with chamber folk, expansive orchestral pop, and back-porch pastoral settings for a stunningly progressive indie gem that sound like Brian Wilson, Stereolab, and Neil Young holding hands in heaven.
Remarkably, in its intricate, gorgeously crafted surfaces, ILLINOIS lives up to its aims. In addition to its symphonic grandeur, the album also showcases Stevens's heartland folk, and some of the album's most shimmering moments are its most spare. "John Wayne Gacy, Jr.," for instance, is an absorbing narrative that features Stevens's sweet tenor couched by guitar, piano, and backing vocals. "Casimir Pulaski Day," similarly, rides a rootsy banjo and guitar groove while Stevens unfurls image-rich lyrics over a lilting melody. Witty, audacious, and moving, ILLINOIS manages to be spiritual, entertaining, and educational all at once, resulting in an utterly unique conceptual and musical statement.
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