| フォーマット | CDアルバム |
| 発売日 | 1998年09月24日 |
| 国内/輸入 | 輸入 |
| レーベル | V2 |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | VVR1002022 |
| SKU | 5033197020228 |
構成数 : 1枚
合計収録時間 : 00:55:25
Personnel includes: N'Dea Davenport (vocals, omnichord, piano, drums, percussion, tambourine, hand claps); Marie France (spoken vocals); James Leblanc (electric & steel guitar); Doyle Bramhall, Daniel Lanois (electric guitar); Paul Powell (guitar, synthesizer, drums); Derwin "Big D" Perkins (guitar); Eric Friedlander (cello); Paul Shapiro (flute, saxophone); Darrell Mims (flute); Rebirth Brass Band (horns, hand claps); "Bassy" Bob Brockman (trumpet, flugelhorn); Dan Levine (trombone, hand claps); Duane Dupry, Glen Patscha (keyboards); Robby Emerson, Darryl Johnson, Al Berry (bass); Buddy Miller, Brady Blade Jr. (drums, hand claps); E.J. Rodriguez (percussion); Brian Blade (tamborine, hand claps); Natalie Jackson (background vocals).
Producers: N'Dea Davenport, Dallas Austin, Paul Powell.
Engineers include: Mark Howard, Leslie Brathwaite, Fill Brown, Kevin Parker, Patrick McCoy.
The solo debut from singer/songwriter/producer N'Dea Davenport is a collection of funky and melodic, yet diverse creations that showcase her brilliant vocal stylings. The first single, "Bring it On," produced by Dallas Austin, is a soulful grind where N'Dea's sultry vocal performance instantly captures your attention. Besides three additional songs produced by Austin, Davenport produced the entire album as well as co-writing all thirteen songs.
Identifying Davenport by a certain genre is limiting. She is not only a member of the neo-soul movement, she basically pioneered it. After fronting four albums for The Brand New Heavies and a JAZZMATAZZ album with Rap vet Guru, Davenport is more than able to make the jump to solo artist. Her self-titled debut doesn't stay in one place long. She runs the gamut from dance ("No Never Again") to swing ("Getaway,") ultimately winning you over with her enticing vocals. Make sure you check out the beautiful ballads like "Real Life" and "Placement For the Baby." The pop sound of "Underneath a Red Moon" and the blues textures of "Save You Love For Me" show Davenport's range as an artist and songwriter.
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