Rock/Pop
CDアルバム

Quiet Eye, A

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販売価格

¥
2,790
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1999年10月07日
国内/輸入 輸入
レーベルTopic
構成数 1
パッケージ仕様 -
規格品番 TSCD510
SKU 714822051026

構成数 : 1枚
合計収録時間 : 00:58:48
Personnel includes: June Tabor (vocals); Richard Bolton (cello); Mark Lockheart (clarinet, soprano & tenor saxophones); Richard Fox (tuba); Huw Warren (piano); Dudley Phillips (upright bass); Roy Dodds (percussion). Recorded at Wessex Studios, London, England. Personnel: Mark Emerson (violin, viola); Richard Bolton (cello); Iain Dixon (clarinet, bass clarinet); Mark Lockheart (clarinet, soprano saxophone, tenor saxophone); Andy Schofield (clarinet, alto saxophone); Richard Iles (trumpet); Jim Rattigan (French horn); Llam Kirkman, Mark Bassey (trombone); Richard Fox (tuba); Huw Warren (piano); Dudley Phillips (double bass); Roy Dodds (percussion). Audio Mixer: Trevor Hallesy. Recording information: Wessex Studios, London, England. Editor: Tony Dixon . Photographer: Tom Howard. Arrangers: Huw Warren; June Tabor. Long thought of as one of the most resolutely traditional vocalists on the British folk scene, June Tabor took many by surprise with 2000's A QUIET EYE. Instead of one of her usual small acoustic drummerless combos, Tabor is backed by the 13-piece Creative Jazz Orchestra, a progressive jazz/folk/world group along the lines of the Penguin CafT Orchestra. The combination of Tabor's stunning clarion voice and these layered, textured arrangements is intoxicating. The fact that A QUIET EYE has one of Tabor's finest song selections ever certainly helps as well. Along with a handful of traditional ballads and story songs, A QUIET EYE includes two Richard Thompson selections, "Pharoah" and the lovely "Waltzing's for Dreamers," and possibly the definitive interpretation of Ewan MacColl's "The First Time Ever I Saw Your Face," halfway between Roberta Flack's soul-jazz torch ballad and John Renbourn's more traditional folk version. There is not a single false step on this remarkable album, and it ranks up there with ABYSSINIANS and AIRS AND GRACES as one of Tabor's finest works.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      The Gardener

      アーティスト: June Tabor

    2. 2.
      A Place Called England

      アーティスト: June Tabor

    3. 3.
      I Will Put My Ship in Order

      アーティスト: June Tabor

    4. 4.
      I'll Be Seeing You

      アーティスト: June Tabor

    5. 5.
      Out of Winter/Waltzing's for Dreamers

      アーティスト: June Tabor

    6. 6.
      Pharaoh

      アーティスト: June Tabor

    7. 7.
      Must I Be Bound?

      アーティスト: June Tabor

    8. 8.
      The Writing of Tipperary/It's a Long Way to Tipperary

      アーティスト: June Tabor

    9. 9.
      The First Time Ever I Saw Your Face

      アーティスト: June Tabor

    10. 10.
      The Water Is Wide/St. Agnes/Jeannie and Jamie

      アーティスト: June Tabor

作品の情報

メイン
アーティスト: June Tabor

商品の紹介

CMJ (1/31/00, p.34) - "...pairs Tabor's spellbinding voice with a small jazz-tinged group, which provides a melancholy and atmospheric accompaniment to her ballads." Mojo (Publisher) (1/00, p.31) - Included in Mojo Magazine's "Best Folk Albums" of 1999. NME (Magazine) (11/6/99, p.38) - 7 out of 10 - "...a curious juxtaposition of eerie traditional stuff and 1930s ballads which could just provide the mythical link between Gracie Fields and Nico's 'The Marble Index'..."
Rovi

As June Tabor ages her voice seems, paradoxically, to become clearer and sharper. She is also becoming increasingly interested in expanding her repertoire beyond the traditional British and Irish folk music on which her early career was built. There are no fiddles or guitars on this album; instead there are Huw Warren's piano and the Creative Jazz Orchestra, a big band complete with French horn and two trombones. So has she finally crossed the line that separates a mere singer from a chanteuse? Not yet, thankfully. While one of these songs does come from a musical, a plurality of them (including such standbys as "The Water Is Wide" and "I Will Put My Ship in Order") are traditional, and there are two Richard Thompson covers ("Waltzing's for Dreamers" and "Pharaoh") and a fine version of Ewan MacColl's immortal "The First Time Ever I Saw Your Face." The big-band arrangements are surprisingly effective, especially on the Maggie Holland composition "A Place Called England" and on the dour "Pharaoh." Not everyone will prefer this album to her earlier work, but Tabor herself has never sounded better. ~ Rick Anderson
Rovi

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