Sweet Somewhere Bound

Uncut (p.108) - 4 stars out of 5 - "Greene's poetic, wise-beyond-his-years songs are authentic and restless and, soon enough, mesmerising." Dirty Linen (pp.61-62) - "[W]ith an abundance of poetic artistry that remains Greene's strongest suit among his vast array of talents." "...an impressive Dylan-indebted singer/songwriter..." - Joe Schmoe's Music News Weekly 9/04/89

Jackie Greene continued to expand his base as one of the more interesting new roots-based singer/songwriters of the early 2000s on Sweet Somewhere Bound, although the compositions were of varying quality. Certainly the best of them were satisfying, and had a wider range than many similar artists working in similar territory. His vocals had a lived-in earthiness, and his arrangements blended folk, roots rock, country, Americana, and bit of the blues without particularly favoring any certain combination. The lyrical themes do tread on some of the same areas common to singer/songwriters of the style: restless urges to escape the mundane grind he sees his community settling into, story-songs and character sketches about troubled souls, and a lament for a death of someone close to him ("Emily's in Heaven"). The Bob Dylan comparisons that have come up in some coverage of his work are still here, particularly in his spontaneous yet accomplished harmonica work, but not so overwhelmingly that Greene's own persona is subsumed. He really whoops it up in the jovial prison song "About Cell Block #9" -- one of the set's highlights -- but for the most part it's a more contemplative record, concerned about the state of things but not quite discouraged. Some of those songs skirt the more routine cliches of weary-gazing roots music, but "Miss Madeline (3 Ways to Love Her)" in particular is haunting enough to rise above such pitfalls. ~ Richie Unterberger