| フォーマット | CDアルバム |
| 発売日 | 2005年04月19日 |
| 国内/輸入 | 輸入 |
| レーベル | G7 Welcoming Committee |
| 構成数 | 1 |
| パッケージ仕様 | デジパック |
| 規格品番 | 39 |
| SKU | 777215107915 |
構成数 : 1枚
合計収録時間 : 00:48:33
Personnel: Greg MacPherson (vocals, guitar, acoustic guitar, electric guitar, baritone guitar, keyboards, drums, tambourine); Greg MacPherson; Keri McTighe (vocals); Mike Germain (electric guitar, keyboards); Steve Bates (electric guitar, bass guitar, computer); Arlene Fabre, Derek Hogue (drums); Jason Tait (drums, percussion).
Recording information: Chemical Sound Recording Studio; Hannah's House; Montreal, Canada; Private Ear Recording.
The Canadian indie G7 Welcoming Committee leans primarily towards political D.I.Y. punk and hardcore (the label name is a sarcastic reference to the riots that greeted the G7 meetings in Halifax, Nova Scotia in 2002), which makes their signing of Winnipeg-based roots-rocker Greg MacPherson an admirable refusal to bow to punk orthodoxy. Much closer to Bruce Cockburn or even Gordon Lightfoot than to any of his labelmates, MacPherson is an old-school folk-rocker, and Night Flares is uncomplicated stuff: fans of John Hiatt, Graham Parker's post-Rumour albums, and even Bruce Springsteen will recognize a familiar musical and lyrical style. MacPherson's vocal style is not what anyone would call pretty, being basically a raspy bark that doesn't change much between mid-tempo rockers like "Hotel Motel" and slower, more intimate material like the spookily atmospheric "California," and his songwriting is similarly meat-and-potatoes, skirting around political themes alongside more traditional personal topics, with some catchy tunes and occasional memorable lines. But the fact remains: the essential musical difference between Greg MacPherson and the likes of Red Rider and Bryan Adams really isn't that big. ~ Stewart Mason
録音 : ステレオ (Studio)

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