Rock/Pop
CDアルバム

Us [Digipak]

0.0

販売価格

¥
2,629
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還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2005年02月28日
国内/輸入 輸入
レーベルDarla Records
構成数 1
パッケージ仕様 -
規格品番 VF012CD
SKU 823566027621

構成数 : 1枚
合計収録時間 : 00:56:21
Personnel: Richard Walker (guitar, harmonica, piano, organ, keyboards, programming); Donald Ross Skinner (guitar); Ray Dickaty (saxophone). Recording information: Hilly Studios, London, England (2003-2004). Returning after an extended hiatus, the British duo Amp (singer Karine Charff and multi-instrumentalist Richard Walker) offer the uncharacteristically band-oriented, almost poppy Us. With Walker joined by three regular collaborators (longtime Julian Cope sideman Donald Ross Skinner on guitar and bass, Ray Dickaty on saxophone, and Marc Challans on guitar, bass, drums, and occasional songwriting) and largely sticking to concise pop song structures, this is by some distance Amp's most conventional album, with only the last two tracks "Endgame" and "Iconisis" delving into the space rock bliss-outs of prior albums like Astralmoonbeamprojections. Only Walker's trademark fondness for the slow layering of musical elements from near-total silence into crazed cacophony (check out the last few minutes of "Yousay" for a particularly fine example) marks this as an Amp album. Challans' beat-heavy electronics tend to overpower Walker, and the placement of Charff at the forefront instead of her usual place lurking near the back of the mix only amplifies the thinness of her voice and her fundamentally meaningless lyrics. The album reaches its nadir with "Think Don't Think," a collage of layered TV and radio broadcasts mixed with Dickaty's heavily treated saxophone that sounds vaguely inspired by David Byrne and Brian Eno's My Life in the Bush of Ghosts but lacks that album's wit, craft, and conceptual clarity. While Us isn't an entirely bad album, the handful of good songs are offset by the overall sense that Amp is simply better than this brand of indie electro-pop, or at least has been in the past. ~ Stewart Mason

  1. 1.[CDアルバム]
    1. 1.
      Opening

      アーティスト: Amp

    2. 2.
      Get Here

      アーティスト: Amp

    3. 3.
      Implosion

      アーティスト: Amp

    4. 4.
      Yousay

      アーティスト: Amp

    5. 5.
      Lopsided

      アーティスト: Amp

    6. 6.
      Think Don't Think

      アーティスト: Amp

    7. 7.
      Level Devil

      アーティスト: Amp

    8. 8.
      Will You, I'm Lost

      アーティスト: Amp

    9. 9.
      Endgame

      アーティスト: Amp

    10. 10.
      Iconisis

      アーティスト: Amp

作品の情報

メイン
アーティスト: Amp

その他
プロデューサー: Amp; Richard Amp

商品の紹介

The Wire (p.66) - "Expansive in its claustrophobia, propelled by its own density and darkness..."
Rovi

Returning after an extended hiatus, the British duo Amp (singer Karine Charff and multi-instrumentalist Richard Walker) offer the uncharacteristically band-oriented, almost poppy Us. With Walker joined by three regular collaborators (longtime Julian Cope sideman Donald Ross Skinner on guitar and bass, Ray Dickaty on saxophone, and Marc Challans on guitar, bass, drums, and occasional songwriting) and largely sticking to concise pop song structures, this is by some distance Amp's most conventional album, with only the last two tracks "Endgame" and "Iconisis" delving into the space rock bliss-outs of prior albums like Astralmoonbeamprojections. Only Walker's trademark fondness for the slow layering of musical elements from near-total silence into crazed cacophony (check out the last few minutes of "Yousay" for a particularly fine example) marks this as an Amp album. Challans' beat-heavy electronics tend to overpower Walker, and the placement of Charff at the forefront instead of her usual place lurking near the back of the mix only amplifies the thinness of her voice and her fundamentally meaningless lyrics. The album reaches its nadir with "Think Don't Think," a collage of layered TV and radio broadcasts mixed with Dickaty's heavily treated saxophone that sounds vaguely inspired by David Byrne and Brian Eno's My Life in the Bush of Ghosts but lacks that album's wit, craft, and conceptual clarity. While Us isn't an entirely bad album, the handful of good songs are offset by the overall sense that Amp is simply better than this brand of indie electro-pop, or at least has been in the past. ~ Stewart Mason
Rovi

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