Jazz
CDアルバム

Trio!

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フォーマット CDアルバム
発売日 2018年11月23日
国内/輸入 輸入
レーベルSoul Note (Italy)
構成数 1
パッケージ仕様 -
規格品番 121246
SKU 027312124620

構成数 : 1枚
合計収録時間 : 01:09:40
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Little After Twelve, A

      録音:Studio

      アーティスト: Chico Hamilton

    2. 2.
      Around the Corner

      録音:Studio

      アーティスト: Chico Hamilton

    3. 3.
      Sound Rising

      録音:Studio

      アーティスト: Chico Hamilton

    4. 4.
      29

      録音:Studio

      アーティスト: Chico Hamilton

    5. 5.
      La Vie d'Amour :: Love Of Life

      録音:Studio

      アーティスト: Chico Hamilton

    6. 6.
      C & C

      録音:Studio

      アーティスト: Chico Hamilton

    7. 7.
      10th Vision

      録音:Studio

      アーティスト: Chico Hamilton

    8. 8.
      Song For Helen (Elsa's Theme)

      録音:Studio

      アーティスト: Chico Hamilton

    9. 9.
      See Saw

      録音:Studio

      アーティスト: Chico Hamilton

作品の情報

メイン
アーティスト: Chico Hamilton

その他
エンジニア: David Merrill
アーティスト: Eric Person
プロデューサー: Chico Hamilton

商品の紹介

In the liner notes, drummer Hamilton states "I have never made a straight-ahead record." This one comes pretty close. It swings with fervent joy -- not bad for the 71-year-old veteran. Electric guitarist Cary DeNigris, and saxophonist Eric Person from Hamilton's larger working ensemble, take these shared themes to logical conclusions, and offer rather melodic repartee between themselves. It's a stripped down approach that seems to serve the drummer quite well, as his own voice and musical director. Hamilton wrote two pieces: "Song for Helen," a beautiful meditational hymn, on which Hamilton himself does not play, but DeNigris' shimmering, slow chords, and Person's sonorous alto mesh well; and "Around the Corner," a slow and bluesy swing with a fine hi-hat solo, and free section in the middle of two-note phrases which bookend this ABCA form. "See Saw" has ostinato alto and harmonic unison guitar floating over Hamilton's lightning-quick brushes. De Nigris wrote the distended phrases with the easy blues, slight bossa feel of "A Little After Twelve," loaded with fragmented, sparse interplay. His "Sound Rising" offers more psychedelic guitar against quick brush work. Person penned the highlight, "Tenth Vision," a heavy and lustrous piece, with ostinato guitar chords wrapped around the saxophonists inquisitive soprano, and Hamilton's tom toms with a jungle-imaged bridge. "29," also by Person, is a loping, near ethereal number, with a slinky workout for the three underneath an implied march rhythm. "C & C," with just drums and guitar, has a definite rock edge. A most impressionistic soprano or sopranino sax from Person, on "Love of Life," merges with an irresistible modal swing, where the band really comes together. Fans of Hamilton should enjoy this tremendously; purists may not. That his music is individualistic is a credit to Hamilton's endurance as a singularly minded figure in American-based, improvised music. Recommended. ~ Michael G. Nastos
Rovi

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