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Electronic Sonata for Souls Loved by Nature (1968)

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24pt

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フォーマット CDアルバム
発売日 2009年08月20日
国内/輸入 輸入
レーベルSoul Note (Italy)
構成数 1
パッケージ仕様 -
規格品番 1210342
SKU 027312103427

構成数 : 1枚
合計収録時間 : 00:51:49
Personnel: George Russell (piano); Jan Garbarek (tenor saxophone); Manfred Schoof (trumpet); Terje Rypdal (electric guitar); Red Mitchell (acoustic bass); Jon Christensen (drums).
録音 : ステレオ (Live)

  1. 1.[CDアルバム]
    1. 1.
      Electronic Sonata for Souls Loved by Nature, 1968~Pt. 1

      アーティスト： George Russell

    2. 2.
      Electronic Sonata for Souls Loved by Nature, 1968~Pt. 2

      アーティスト： George Russell

作品の情報

メイン
アーティスト： George Russell

ゲスト
アーティスト： Jan Garbarek; Terje Rypdal

その他
プロデューサー： George Russell

商品の紹介

Composer, theorist, arranger, and pianist George Russell debuted his 14-part master composition "Electronic Sonata for Souls Loved By Nature" on April 28, 1969, at a concert in Norway. The ambitious, elaborate work blended bebop, free, Asian, and blues elements, as well as electronic effects, and mixed live performance with tape and vocal segments. It was a testimony to the prowess of trumpeter Manfred Schoof, tenor saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Red Mitchell, and drummer John Christensen that they weren't overwhelmed by the sheer weight of the experience. The digital mastering enables listeners to fully hear the disparate styles converging, and understand just how advanced Russell's concepts were, particularly for the time. While not everything worked, the composition ranks alongside Ornette Coleman's "Free Jazz" as one of jazz's finest, most adventurous pieces.
Rovi

Composer, theorist, arranger, and pianist George Russell debuted his 14-part master composition "Electronic Sonata for Souls Loved by Nature" on April 28, 1969, at a concert in Norway. The ambitious, elaborate work blended bebop, free, Asian, and blues elements, as well as electronic effects, and mixed live performance with tape and vocal segments. It was a testimony to the prowess of trumpeter Manfred Schoof, tenor saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Red Mitchell, and drummer Jon Christensen that they weren't overwhelmed by the sheer weight of the experience. Good mastering enables listeners to fully hear the disparate styles converging, and understand just how advanced Russell's concepts were, particularly for the time. The composition ranks alongside Ornette Coleman's "Free Jazz" as one of jazz's finest, most adventurous pieces. ~ Ron Wynn
Rovi

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