World/Reggae
CDアルバム

販売価格

¥
2,519
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2005年02月14日
国内/輸入 輸入
レーベルOne Little Indian
構成数 1
パッケージ仕様 -
規格品番 TPLP403CDL
SKU 5016958061326

構成数 : 1枚
合計収録時間 : 00:00:00
Benjamin Zephaniah is better known in the English-speaking world for his books of poetry and children's fiction, but his latest musical release, Naked, should help in bringing his immense ability as a spoken word artist greater appreciation and recognition. Naked is a profoundly moving work, with Zephaniah's intense, provocative poems set over dub-inspired trip-hop beats. Zephaniah is, as the title suggests, not trying to hide or even disguise his message ("naked" is repeated over and over again as a type of hook in the title song as the poet discusses the important truths that come with nudity), but since he is also talented and intelligent, he is able to imbue more universal, and often subversive, meaning into his words (the desolate "Homesick," for example, about a man who, as a literal prisoner of the state, represents all suffering that occurs from governmental oppression, or "Rong Radio," a passionate and direct attack on capitalism and media). Zephaniah strives to inform others of the situations in which they exist and to take responsibility for and control over their own lives. He writes and speaks in both standard British and Jamaican English ("There's something about the way that/People die when you can't see them" and "Yu can't blame all yu sins on de ghetto"), reflecting his bi-national cultural identity and his refusal to only stick to one group's definition of what is linguistically "correct." Zephaniah isn't trying to attack individuals -- his focus is on the system, and he's concerned and angry about the state of the world and wants to try to break the veil of consumerism and globalization that has clouded the vision of its members. Producer extraordinaire Trevor Morais is careful to compose music that emphasizes and strengthens the poet's lyrics without making anything sound contrived, working his beats around the various delivery techniques that Zephaniah employs. The entire effect of the dark trip-hop, layered cleanly with guitars, synths, percussion, and saxophones that build up and break down in accordance to the specific tone of each song, is gripping. And added to the power of his words, the message is impossible to ignore. ~ Marisa Brown

  1. 1.[CDアルバム]
    1. 1.
      Uptown Downtown

      アーティスト: Benjamin Zephaniah

    2. 2.
      Naked

      アーティスト: Benjamin Zephaniah

    3. 3.
      Superstar

      アーティスト: Benjamin Zephaniah

    4. 4.
      Touch

      アーティスト: Benjamin Zephaniah

    5. 5.
      Rong Radio Station

      アーティスト: Benjamin Zephaniah

    6. 6.
      Our Fathers

      アーティスト: Benjamin Zephaniah

    7. 7.
      Slow Motion

      アーティスト: Benjamin Zephaniah

    8. 8.
      Responsible

      アーティスト: Benjamin Zephaniah

    9. 9.
      Homesick

      アーティスト: Benjamin Zephaniah

    10. 10.
      Genetics

      アーティスト: Benjamin Zephaniah

    11. 11.
      Things We Say

      アーティスト: Benjamin Zephaniah

作品の情報

メイン
アーティスト: Benjamin Zephaniah

その他
プロデューサー: Trevor Morais

商品の紹介

Uncut - 3 stars out of 5 -- "[H]e's not frightened of making harsh observations, but he leavens them with sympathetic keyboard backing from Jean Roussel." The Beat - "[T]he poetry is really good and the music, alternately dark and dreamy, is post-dance jungle dub with echoes of punk and r&b..."
Rovi

Benjamin Zephaniah is better known in the English-speaking world for his books of poetry and children's fiction, but his latest musical release, Naked, should help in bringing his immense ability as a spoken word artist greater appreciation and recognition. Naked is a profoundly moving work, with Zephaniah's intense, provocative poems set over dub-inspired trip-hop beats. Zephaniah is, as the title suggests, not trying to hide or even disguise his message ("naked" is repeated over and over again as a type of hook in the title song as the poet discusses the important truths that come with nudity), but since he is also talented and intelligent, he is able to imbue more universal, and often subversive, meaning into his words (the desolate "Homesick," for example, about a man who, as a literal prisoner of the state, represents all suffering that occurs from governmental oppression, or "Rong Radio," a passionate and direct attack on capitalism and media). Zephaniah strives to inform others of the situations in which they exist and to take responsibility for and control over their own lives. He writes and speaks in both standard British and Jamaican English ("There's something about the way that/People die when you can't see them" and "Yu can't blame all yu sins on de ghetto"), reflecting his bi-national cultural identity and his refusal to only stick to one group's definition of what is linguistically "correct." Zephaniah isn't trying to attack individuals -- his focus is on the system, and he's concerned and angry about the state of the world and wants to try to break the veil of consumerism and globalization that has clouded the vision of its members. Producer extraordinaire Trevor Morais is careful to compose music that emphasizes and strengthens the poet's lyrics without making anything sound contrived, working his beats around the various delivery techniques that Zephaniah employs. The entire effect of the dark trip-hop, layered cleanly with guitars, synths, percussion, and saxophones that build up and break down in accordance to the specific tone of each song, is gripping. And added to the power of his words, the message is impossible to ignore. ~ Marisa Brown|
Rovi

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