Soul/Club/Rap
CDアルバム

Radical Connector

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販売価格

¥
2,519
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2004年09月16日
国内/輸入 輸入
レーベルSonig
構成数 1
パッケージ仕様 -
規格品番 SONIG41CD
SKU 4260035454124

構成数 : 1枚
合計収録時間 : 00:00:00
Throughout their decade-plus career, Mouse on Mars' Andi Toma and Jan St. Werner have engaged in a very focused kind of wandering. They've moved from the frothy textures of Vulvaland and Iaora Tahiti to the busier, drum'n'bass-inflected Autoditacker to the playful pastoralism of Niun Niggung to Idiology's rubbery, eclectic pop while, paradoxically, crafting a sound that is distinctively Mouse on Mars. On Radical Connector, Toma, St. Werner, and percussionist/vocalist Dodo Nkishi once again build on what they've done before and take it in a very different direction. The album is more overtly pop than anything they've done before -- each of the tracks features vocals, a first on a Mouse on Mars album -- but also harder-edged and more overtly electronic than work such as Idiology. As cliched as it may be to say it, the album's title conveys its aesthetic perfectly: tracks like "Mine Is in Yours" and "Spaceship" build on Idiology's most radically jittery tracks like "Actionist Respoke" and "Introduce," but take this sound in an immediate, danceable direction. And while the frostbitten, pristine beauty of "Send Me Shivers" -- featuring guest vocalist Niobe -- borders on the alien, it's never alienating. But even the album's most delicate, intellectual moments don't feel as detached as Mouse on Mars' past work; Radical Connector has more guts and soul than what has come before it. Nkishi feels more integrated into this album than he did on Idiology, and his blunt, raspy vocals provide some of Radical Connector's best tracks. Nkishi's voice is the perfect canvas for Toma and St. Werner to tweak, particularly on the bouncy, oddly tribal "Blood Comes," where he croaks "it's interrrrrrrupted" over increasingly busy layers of himself and a relentless beat. Things get even crazier on "All the Old Powers," a witchy track built around Nkishi's trippy ramblings and a beat that sounds like it was made from kicking doors open and throwing things against the wall. Best of all, though, is "Wipe That Sound," a funky, evocative track that's both sweaty and smart. By the time the glacially gorgeous closer, "Evoke an Object," finishes, it's hard to believe that Radical Connector is only nine tracks long; the album is so concentrated that it feels much bigger. This may not be Mouse on Mars' most ambitious album, but it's among the group's most successful -- it's not at all difficult to feel a connection to this truly intelligent dance music. ~ Heather Phares

  1. 1.[CDアルバム]

作品の情報

メイン
アーティスト: Mouse On Mars

商品の紹介

Entertainment Weekly - "Sexy robot vocals slip and slide all over juicy squeals, raindrop plops, and jungle-thick beats..." - Grade: B+ The Wire - "[A] fitful and languishing affair whose best moments will have you yearning for more..." Mojo - 4 stars out of 5 - "With tongues-in-cheek but feet defiantly on the dancefloor, RADICAL CONNECTOR ratchets up the accessibility quotient significantly." Rolling Stone - 3 stars out of 5 - "[T]he beats slip and skitter just enough to suggest a new genre: arena glitch." CMJ - "CONNECTOR burns far more methodically than its predecessors. For the first time, the group's music prompts some honest-to-god dancefloor euphoria..."
Rovi

Throughout their decade-plus career, Mouse on Mars' Andi Toma and Jan St. Werner have engaged in a very focused kind of wandering. They've moved from the frothy textures of Vulvaland and Iaora Tahiti to the busier, drum'n'bass-inflected Autoditacker to the playful pastoralism of Niun Niggung to Idiology's rubbery, eclectic pop while, paradoxically, crafting a sound that is distinctively Mouse on Mars. On Radical Connector, Toma, St. Werner, and percussionist/vocalist Dodo Nkishi once again build on what they've done before and take it in a very different direction. The album is more overtly pop than anything they've done before -- each of the tracks features vocals, a first on a Mouse on Mars album -- but also harder-edged and more overtly electronic than work such as Idiology. As cliched as it may be to say it, the album's title conveys its aesthetic perfectly: tracks like "Mine Is in Yours" and "Spaceship" build on Idiology's most radically jittery tracks like "Actionist Respoke" and "Introduce," but take this sound in an immediate, danceable direction. And while the frostbitten, pristine beauty of "Send Me Shivers" -- featuring guest vocalist Niobe -- borders on the alien, it's never alienating. But even the album's most delicate, intellectual moments don't feel as detached as Mouse on Mars' past work; Radical Connector has more guts and soul than what has come before it. Nkishi feels more integrated into this album than he did on Idiology, and his blunt, raspy vocals provide some of Radical Connector's best tracks. Nkishi's voice is the perfect canvas for Toma and St. Werner to tweak, particularly on the bouncy, oddly tribal "Blood Comes," where he croaks "it's interrrrrrrupted" over increasingly busy layers of himself and a relentless beat. Things get even crazier on "All the Old Powers," a witchy track built around Nkishi's trippy ramblings and a beat that sounds like it was made from kicking doors open and throwing things against the wall. Best of all, though, is "Wipe That Sound," a funky, evocative track that's both sweaty and smart. By the time the glacially gorgeous closer, "Evoke an Object," finishes, it's hard to believe that Radical Connector is only nine tracks long; the album is so concentrated that it feels much bigger. This may not be Mouse on Mars' most ambitious album, but it's among the group's most successful -- it's not at all difficult to feel a connection to this truly intelligent dance music. ~ Heather Phares|
Rovi

一聴して耳に飛び込んでくるのは、賑やかなほどのヴォイス・エディット──しかし、それこそが中心的なメロディーのフックを先導していく──と、カルシウム増量、その骨格に揺るぎがないヘヴィーなビート構築。前作『Idiology』から3年、ここにマウス・オン・マーズが広げる地平には、かねてより親交の厚い第3の男、ドド・ンキシと、レーベル・メイトでもある才女、ニオベの断片化した歌声がつぎつぎと耳をくすぐる世界が横たわっている。〈口を開き、自由に発声する〉という政治的なステートメントのように見える点でも、グループ史上、もっとも口数の多いアルバムに仕上がっているけれど、単に〈饒舌な音楽〉なら山ほどある。それよりもむしろ、〈饒舌〉そのものを音楽化したところに、マウス・オン・マーズならではの知性とユーモアが感じられるロボット・ファンク・アルバム。なんて心強い!
bounce (C)福田 教雄
タワーレコード(2004年08月号掲載 (P67))

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