Rock/Pop
CDアルバム

Can Soundtracks

5.0

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フォーマット CDアルバム
発売日 2004年10月11日
国内/輸入 輸入
レーベルSpoon
構成数 1
パッケージ仕様 -
規格品番 SPOONCD5
SKU 4015887000056

構成数 : 1枚
合計収録時間 : 00:35:09
SOUNDTRACKS contains songs Can recorded for various film soundtracks.

Can: Damo Suzuki, Malcolm Mooney (vocals); Michael Karoli (guitar); Irmin Schmidt (keyboards); Holger Czukay (bass instrument); Jaki Liebezeit (drums).
As Can rose to prominence in the '70s in Germany, keyboardist and co-founder Irmin Schmidt sought film-related projects for the band. SOUNDTRACKS collects exclusive material culled from Can's cinematic contributions. The album features vocals from both original vocalist Malcolm Mooney and from his mid-period replacement, Kenji "Damo" Suzuki, making it unique in Can's discography. And, with such crowd-pleasers as "She Brings the Rain" and the titanic "Mother Sky," SOUNDTRACKS remains another testament to Can's genius.
Suzuki's moaning, half-mad vocals and a slow-motion arc of Michael Karoli's splendidly psychedelic guitar work dominate "Deadlock." Suzuki croons through one of Can's most luscious melodies on "Tango Whiskeyman," another glistening Karoli workout that also showcases the matchless rhythmic duo of Holger Czukay (bass) and Jaki Liebezeit (drums). Mooney delivers a memorable mood swing with the gut-wrenching funk of "Soul Desert" and "She Brings the Rain," a coffeehouse-quiet charmer. But it is "Mother Sky," the incomparable, 14:30 acid rock colossus with the swaying, trance-inducing Suzuki mumble, Karoli fireworks, seething Schmidt psychedelics, and brain-bending Czukay/Liebezeit groove, that is SOUNTRACKS' towering achievement.

  1. 1.[CDアルバム]
    1. 1.
      Deadlock

      アーティスト: Can

    2. 2.
      Tango Whiskeyman

      アーティスト: Can

    3. 3.
      Don't Turn The Light On Leave Me Alone

      アーティスト: Can

    4. 4.
      Soul Desert

      アーティスト: Can

    5. 5.
      Mother Sky

      アーティスト: Can

    6. 6.
      She Brings The Rain

      アーティスト: Can

作品の情報

メイン
アーティスト: Can

その他
エンジニア: Holger Czukay
プロデューサー: Can

オリジナル発売日:1970年

商品の紹介

Mojo - 4 stars out of 5 - "SOUNDTRACKS' monstrous, metronomic centerpiece is 'Mother Sky'....It could be their greatest song." The Wire - "'Soul Desert' and 'Mother Sky' are immortal Can moments given added boost with the new treatment." Mojo (p.126) - 4 stars out of 5 - "SOUNDTRACKS' monstrous, metronomic centerpiece is 'Mother Sky'....It could be their greatest song." The Wire (p.62) - "'Soul Desert' and 'Mother Sky' are immortal Can moments given added boost with the new treatment."
Rovi

As Can rose to prominence in the '70s in Germany, keyboardist and co-founder Irmin Schmidt sought film-related projects for the band. SOUNDTRACKS collects exclusive material culled from Can's cinematic contributions. The album features vocals from both original vocalist Malcolm Mooney and from his mid-period replacement, Kenji "Damo" Suzuki, making it unique in Can's discography. And, with such crowd-pleasers as "She Brings the Rain" and the titanic "Mother Sky", SOUNDTRACKS remains another testament to Can's genius.
Suzuki's moaning, half-mad vocals and a slow-motion arc of Michael Karoli's splendidly psychedelic guitar work dominate "Deadlock". Suzuki croons through one of Can's most luscious melodies on "Tango Whiskeyman", another glistening Karoli workout that also showcases the matchless rhythmic duo of Holger Czukay (bass) and Jaki Liebezeit (drums). Mooney delivers a memorable mood swing with the gut-wrenching funk of "Soul Desert" and "She Brings the Rain", a coffeehouse-quiet charmer. But it is "Mother Sky", the incomparable, 14:30 acid rock colossus with the swaying, trance-inducing Suzuki mumble, Karoli fireworks, seething Schmidt psychedelics, and brain-bending Czukay/Liebezeit groove, that is SOUNTRACKS' towering achievement.|
Rovi

メンバーズレビュー

5件のレビューがあります
5.0
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クラウト・ロックの代表格CANの1970年リリースの2ndアルバム。マルコム・ムーニーからダモ鈴木へとボーカルが変わるタイミングで作成された、映画音楽をまとめた編集盤的作品。アルバムとしてまとまりは無いんだけど、それを含めてCANらしい。狂気じみた熱量を発散しているが、聴きごたえはクール。その絶妙なバランスにリスナーの耳をとらえる凄みを感じてしまう。2人のボーカル曲それぞれ収録されてます。
2020/05/06 Gzさん
0
CANの“TAPES”(FAUST)的作品。“SOUL DESERT”でハイ。
2009/12/02 Nishaさん
0
別々のサウンドトラックを一枚のアルバムとして仕立ててある代物ながらFAUSTの“TAPES”や“71 MINUTES”のようなとりとめのなさが心地よく、他のCANアルバムと比較しても劣りませぬ。
2009/08/13 Nishaさん
0

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