Rock/Pop
CDアルバム

Schwingungen

5.0

販売価格

¥
2,790
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1991年11月25日
国内/輸入 輸入
レーベルSpalax Music
構成数 1
パッケージ仕様 -
規格品番 14248
SKU 3429020142489

構成数 : 1枚
合計収録時間 : 00:38:24
Ash Ra Tempel's second album featured the first of several personnel changes, Klaus Schulze having departed for other realms and replaced as a result by Wolfgang Muller. A few guest players surfaced here and there as well, with one John L. taking the lead vocals -- another difference from the self-titled debut, which was entirely instrumental. The general principle of side-long efforts continued, though the first half was split into two related songs, "Light" and "Darkness." "Light" itself sounded halfway between the zoned-out exploration of "Traummaschine" and bluesy jamming, a weird if not totally discordant combination that still manages to sound more out there than most bands of the time. Gottsching's fried solo, in particular, is great, sending the rest of the song out to silence that leads into "Darkness." Said song initially takes a far more minimal approach that bears even more resemblance to "Traummaschine," fading out almost entirely by the third minute before a full band performance (including Uli Popp on bongos and Matthais Wehler's sudden alto sax bursts) slowly builds into a frenetic jam. John L.'s vocals become echoed screams and yelps not far off from Damo Suzuki's approach in Can, and the overall performance is a perfect slice of Krautrock insanity, sudden swirls of flanging and even more on-the-edge solos from Gottsching and Wehler sending it over the top. "Suche & Liebe" takes up the entire second side, the performers this time around concentrating on the quiet but unsettling approach, Gottsching's massive soloing kept low in the mix but not so much that it doesn't freak out listeners. The song concludes on an almost conventionally pretty band jam, something that could almost be Meddle-era Pink Floyd, only with even a more haunting, alien air thanks to the wordless vocal keening. ~ Ned Raggett
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Light and Darkness: Light - Look at Your Sun

      アーティスト: Ash Ra Tempel

    2. 2.
      Light and Darkness: Darkness - Flowers Must Die

      アーティスト: Ash Ra Tempel

    3. 3.
      Suche and Liebe

      アーティスト: Ash Ra Tempel

作品の情報

メイン
アーティスト: Ash Ra Tempel

商品の紹介

Uncut (p.102) - 4 stars out of 5 -- "The twinkling, bluesy 'Light: Look At Your Sun' imagines a more blissed-out Can..."
Rovi

Ash Ra Tempel's second album featured the first of several personnel changes, Klaus Schulze having departed for other realms and replaced as a result by Wolfgang Muller. A few guest players surfaced here and there as well, with one John L. taking the lead vocals -- another difference from the self-titled debut, which was entirely instrumental. The general principle of side-long efforts continued, though the first half was split into two related songs, "Light" and "Darkness." "Light" itself sounded halfway between the zoned-out exploration of "Traummaschine" and bluesy jamming, a weird if not totally discordant combination that still manages to sound more out there than most bands of the time. Gottsching's fried solo, in particular, is great, sending the rest of the song out to silence that leads into "Darkness." Said song initially takes a far more minimal approach that bears even more resemblance to "Traummaschine," fading out almost entirely by the third minute before a full band performance (including Uli Popp on bongos and Matthais Wehler's sudden alto sax bursts) slowly builds into a frenetic jam. John L.'s vocals become echoed screams and yelps not far off from Damo Suzuki's approach in Can, and the overall performance is a perfect slice of Krautrock insanity, sudden swirls of flanging and even more on-the-edge solos from Gottsching and Wehler sending it over the top. "Suche & Liebe" takes up the entire second side, the performers this time around concentrating on the quiet but unsettling approach, Gottsching's massive soloing kept low in the mix but not so much that it doesn't freak out listeners. The song concludes on an almost conventionally pretty band jam, something that could almost be Meddle-era Pink Floyd, only with even a more haunting, alien air thanks to the wordless vocal keening. ~ Ned Raggett
Rovi

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本作で歌ったヨーン・L、どこへ行ったのかと思っていたらDOPPELGANGER RECORDSで入手したSCARECREW“MAGICAL MIND”(75年)にその名があった。相変わらず独特の渋い声が健在だと喜んだのもつかの間、無名の女人と替わるやこれが音程で軽くあのヨーコ・オノに匹敵(笑、いや笑いごとではない!)。まるでジャック・ブルースを擁しておきながらトニーみずからヘロヘロ声で歌ってしまったTONY WILLIAMS LIFETIMEの2nd状態......。
2008/03/21 Nishaさん
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