Rock/Pop
CDアルバム

Steig Aus

5.0

販売価格

¥
3,390
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2004年12月02日
国内/輸入 輸入
レーベルUniversal IMS
構成数 1
パッケージ仕様 -
規格品番 060249816296
SKU 602498162965

構成数 : 1枚
合計収録時間 : 00:00:00
Steig Aus marks a turning point for Embryo. Recorded in 1971-1972, during three separate sessions that also gave birth to Rocksession, the album captures the group actively looking for the ethnic fusion that will soon become its main m.o. for the better part of the decade. It also signals the beginning of the group's distancing from the record industry -- both albums were rejected by their major label, which led to a transaction with the forward-looking small label Brain. Steig Aus features extremely inspired jazz-rock jams, which makes it a lot less friendly than their 1974 hit record, a lot jazzier too, but still a breathtaking journey into Krautrock-meets-American free jazz-meets-North African percussion. The first session yielded the side-long "Call," a loosely structured suite, and "Dreaming Girls," a Miles Davis-like ballad. Both tracks feature drummer Christian Burchard, bassist Jorg Evers, violinist Edgar Hoffmann, U.S. organist Jimmy Jackson, and American jazz keyboardist Mal Waldron. The latter, who had previously played with Eric Dolphy and Max Roach, among other luminaries, was called in as a guest. "Radio Marrakesch/Orient Express," which ended up opening the album, was recorded a while later, when the group reconvened in the studio, minus Hoffmann and Evers (the latter being replaced by Dave King). The track is already opening a window on Middle Eastern influences, with extra ethnic touches (particularly in the percussion department) added a few months later, when the group came back from a trip to North Africa. Steig Aus is a pretty unique cross between German psychedelic rock and American electric jazz. It is probably not the best place to start exploring Embryo's discography, but it deserves special attention nonetheless. ~ Francois Couture

  1. 1.[CDアルバム]

作品の情報

メイン
アーティスト: Embryo

その他
プロデューサー: Embryo

商品の紹介

Steig Aus marks a turning point for Embryo. Recorded in 1971-1972, during three separate sessions that also gave birth to Rocksession, the album captures the group actively looking for the ethnic fusion that will soon become its main m.o. for the better part of the decade. It also signals the beginning of the group's distancing from the record industry -- both albums were rejected by their major label, which led to a transaction with the forward-looking small label Brain. Steig Aus features extremely inspired jazz-rock jams, which makes it a lot less friendly than their 1974 hit record, a lot jazzier too, but still a breathtaking journey into Krautrock-meets-American free jazz-meets-North African percussion. The first session yielded the side-long "Call," a loosely structured suite, and "Dreaming Girls," a Miles Davis-like ballad. Both tracks feature drummer Christian Burchard, bassist Jörg Evers, violinist Edgar Hoffmann, U.S. organist Jimmy Jackson, and American jazz keyboardist Mal Waldron. The latter, who had previously played with Eric Dolphy and Max Roach, among other luminaries, was called in as a guest. "Radio Marrakesch/Orient Express," which ended up opening the album, was recorded a while later, when the group reconvened in the studio, minus Hoffmann and Evers (the latter being replaced by Dave King). The track is already opening a window on Middle Eastern influences, with extra ethnic touches (particularly in the percussion department) added a few months later, when the group came back from a trip to North Africa. Steig Aus is a pretty unique cross between German psychedelic rock and American electric jazz. It is probably not the best place to start exploring Embryo's discography, but it deserves special attention nonetheless. ~ François Couture|
Rovi

メンバーズレビュー

3件のレビューがあります
5.0
100%
0%
0%
0%
0%
名声ナンテナンボノモノデセウ......疑イナク世界屈指ノジャズ・ロック名品ナノニイッタイドレダケノヒトガ本作ノ存在ヲ知ッテイルコトカ。SOFT MACHINEノ“3”ヲ知ッテイルダケデ悦ニ入ッテイルヒトハハイ、ソレマデヨ。
2009/04/27 Nishaさん
0
エゲツナイホド格好イイM1デ失禁寸前.......。ジャーマン・サイケデリック・ジャズ・ロック文句なしの頂点、73年。
2009/04/27 Nishaさん
0
ジャーマン・ジャズ・ロックの頂点。ジミー・ジャクソン(最近、彼の妖しげなバンド“HABOOB”をD*** U****で取扱っている模様)の洪水状のオルガン、マル・ウォルドロンのシャープで渋い味わいのエレクトリック・ピアノ、ロマン・ブンカの炸裂ギター、壮大なメロトロンその他いっさいが文句なしの一大傑作。ひたすら圧巻。......PASSPORTはフュージョン寄りなのでマニアさんにも一言ありですが、“LOOKING THRU”はセンス抜群です。
2008/09/14 Nishaさん
0

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