Mojo - 4 stars out of 5 - "[T]his is everything you'd want in a contemporary NuYorican salsa set played by youthful veterans of the great big bands....The massed horns make everything swing."

Rovi

The Spanish Harlem Orchestra is back and they're even tighter and more swinging than before. They've added vocalists Willie Torres and Marcos Bermudez to replace Herman Olivera and Frankie Vazquez, while keeping the fine vocalist Ray de la Paz in the band. Torres sings lead on cover versions of "Dime Si Llegue a Tiempo" and "Maestro de Rumberos," while Bermudez sings lead on "Tu Tun Suena el Tambo," which features outstanding trombone playing by Jimmy Bosch, and "La Hija de Lola," a Raul Marrero song previously recorded by Charlie Palmieri. Another change is the addition of Ruben Blades as guest vocalist on four tracks: "Un Gran Dia en el Barrio" (a band original written by Ray de la Paz),"Bailadores" (a "Hector Rivera" song previously recorded by the Joe Cuba Sextet),"Cuando Te Vea" (a Tito Puente song arranged by Gil Lopes, who also arranged the group's rendition of the bolero "Esperame en el Cielo"), and "Tu Te lo Pierdes" (written by Blades himself). The last song is one of the best here, but it doesn't quite fit with the overall feel of the album, which is probably why it's a bonus track. The entire band deserves praise for its musicianship, including pianist Oscar Hernandez and the remarkable horn section. Across 110th Street doesn't break any new ground musically, as reflected in the high percentage of cover versions, but it's recommended if you want to hear some energetic, danceable music. ~ Todd Kristel|

Rovi