A Tribute To Miles

構成数 : 1枚
合計収録時間 : 00:58:37
A TRIBUTE TO MILES won the 1995 Grammy Award for Best Jazz Instrumental Performance By An Individual Or Group. "Pinocchio" was nominated for Best Jazz Instrumental Solo. Personnel: Wayne Shorter (soprano & tenor saxophones); Wallace Roney (trumpet); Herbie Hancock (piano); Ron Carter (acoustic bass); Tony Williams (drums). Producers: Herbie Hancock, Wayne Shorter, Ron Carter, Tony Williams. Recorded at Signet and Soundworks, Los Angeles, California. Tracks 1 & 7 recorded live at Berkeley Community Theatre, Berkeley, California on September 19, 1992. Includes liner notes by Tony Williams. Tributee: Miles Davis. Personnel: Wayne Shorter (soprano saxophone, tenor saxophone); Wallace Roney (trumpet); Herbie Hancock (piano); Tony Williams (drums). Audio Mixers: Allen Sides ; Tamoo Suzuki . Liner Note Author: Tony Williams . Recording information: Berkeley Community Theater, Berkeley, CA; L.A; Signet Sound Studios, Hollywood, CA; Soundworks, Los Angeles, CA. Illustrator: Dirk Walter. Photographer: Hiroyuki Arakawa. This Grammy-winning jazz recording is as much a tribute to the trumpeter's greatest band as a testament to Miles Dewey Davis himself. But Miles was not given to sentimental gestures, and while he cherished the band's work during the revolutionary '60s, he rarely looked back after disbanding the unit. But jazz fans could never let go, because Shorter, Hancock, Carter and Williams redefined the freedom principle of the late 1960s, and built daring new melodic structures upon a bedrock of sophisticated harmony and complex rhythmic interaction. As a result, in one form or another--usually billed as VSOP--the quintet would hit the road and recording studios with stunt doubles as notable as Freddie Hubbard and Wynton Marsalis occupying the director's chair. However, on A TRIBUTE TO MILES the trumpeter is the young Philadelphian anointed by Miles himself after their triumphant 1991 performance at the Montreux Jazz Festival--Wallace Roney (Miles even presented him with his horn). And on the basis of the long harmonic elisions and Davis-like ornaments Roney displays on the live renditions of Davis standards "So What" and "All Blues," the elder's respect is more than justified. There are many highlights throughout this set, from Carter's "RJ," with its brisk tempo and roaring rhythmic exchanges, through Hancock's moody waltz "Little One" and the Spanish-tinged backbeats of "Eighty One." Roney particularly inspires Shorter who responds with a keening soprano solo on his classic tune "Pinnochio," abstracting the melody, fragmenting his line and moving up the scale until the drummer is ready to bust.
録音 : ステレオ (Studio/Live)