| フォーマット | CDアルバム |
| 発売日 | 1991年07月09日 |
| 国内/輸入 | 輸入 |
| レーベル | Qwest |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 26643 |
| SKU | 075992664325 |
構成数 : 1枚
合計収録時間 : 00:59:32
Additional guest artists: Kyle West, L. Richie, R. Lapread, W. Orange, M. Williams, T. McClary, W. King, Tery Allen, Andre Manuel, Joe Simon, Touch Of Jazz, Carl E. Bourelly, Mike "Fresh" McCray, T. Shaw.
Producers: John Singelton, Ice Cube, Sir Jinx, Al B. Sure!, Kyle West, Benny Medina, D.J. Pooh, James "Rashad" Coes, D.J. Slip, Main Source, Raphael Wiggins, Jeff Townes, Craig King, Carl E. Bourelly, Mike "Fresh" McCay, O.D.S., Too Short, Keena "The Maestro" Foster, Force One Network, Quincy Jones, Stanley Clarke.
Engineers: Eric Sheda, Bob Drake, Paul Logus, Mike "Webeboomindashit" Edwards, Anton Pukshansky, Dale Everingham, John Moyer, Barbara Aimes, Eddie Miller, Too Short, Al Eaton, Matt Kelley, Jess Sutcliffe, Bruce Swedien, Dann Humann.
Recording information: Battery Studios, New York, NY; Big Beat Soundlabs; Contemporary Artists, LA; Echo Sound Recording Studios; HIt Factory; Hyde Street, San Francisco, CA; J.E.M. Sound Inc., Philadelphia, PA; Luke's Studio; Power play; Soundworks West, LA; The Junkyard; The Record Plant, Sausalito, CA; The Warehouse; Times Square.
John Singleton's debut as a director, Boyz N the Hood, was naturally compared to other urban dramas that came out during the early '90s -- such as New Jack City, Straight out of Brooklyn, Menace II Society, Fresh, Juice, and South Central. While the soundtrack for South Central was heavy on late-'70s and early-'80s funk, the soundtracks released for all the other films were filled out with up-to-date hardcore rap and youthful R&B, so they too were stacked up against one another. Boyz N the Hood's soundtrack is uneven as the others, though it does contain a handful of tracks that no fan of early-'90s rap should be without. (Granted, most of them had already appeared on studio albums by the respective artists.) While none of the R&B cuts are poor, not a single one would be remembered if they weren't bound to scenes in the film. Bits of the evocative score, from Stanley Clarke and Quincy Jones, are also included. ~ Andy Kellman
録音 : ステレオ (Studio)

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