Rock/Pop
CDアルバム

12 Bar Blues

0.0

販売価格

¥
2,190
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 1998年03月31日
国内/輸入 輸入
レーベルAtlantic
構成数 1
パッケージ仕様 -
規格品番 83084
SKU 075678308420

構成数 : 1枚
合計収録時間 : 00:58:51
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Desperation #5

      アーティスト: Scott Weiland

    2. 2.
      Barbarella

      アーティスト: Scott Weiland

    3. 3.
      About Nothing

      アーティスト: Scott Weiland

    4. 4.
      Where's the Man

      アーティスト: Scott Weiland

    5. 5.
      Divider

      アーティスト: Scott Weiland

    6. 6.
      Cool Kiss

      アーティスト: Scott Weiland

    7. 7.
      The Date

      アーティスト: Scott Weiland

    8. 8.
      Son

      アーティスト: Scott Weiland

    9. 9.
      Jimmy Was a Stimulator

      アーティスト: Scott Weiland

    10. 10.
      Lady, Your Roof Brings Me Down

      アーティスト: Scott Weiland

    11. 11.
      Mockingbird Girl

      アーティスト: Scott Weiland

    12. 12.
      Opposite Octave Reaction

      アーティスト: Scott Weiland

作品の情報

メイン
アーティスト: Scott Weiland

ゲスト

商品の紹介

Scott Weiland's addictions were well documented and were often blamed for the disintegration of Stone Temple Pilots. Frustrated with his constant relapses, the remaining Pilots formed Talk Show, whose debut album rocked hard but lacked the style and melody of prime STP. Instead of reviving the Magnificent Bastards, Weiland decided to record a solo album with producer Daniel Lanois. The teaming was unexpected but inspired -- 12 Bar Blues is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor. Throughout it all, a few things remain the same -- the music is rooted in glam rock, filtered through psychedelia and trip-hop, and dressed in immediate, catchy hooks and melodies. At its best, 12 Bar Blues makes a case for Weiland's talents as a songwriter and musician. At times his lyrics can be awkward, and occasionally the music collapses under its own weight, but the very best moments -- the swirling "Desperation #5," the glitter-crunch of "About Nothing," the mock-Tom Waits march "Lady, Your Roof Brings Me Down," the hook-laden "Mockingbird Girl," the stomping "Jimmy Was a Stimulator" -- are exciting modern hard rock songs propelled by hooks, attitude, and style. ~ Stephen Thomas Erlewine
Rovi

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