Quadrophenia [Remaster]

Q - Ranked #56 in Q's "100 Greatest British Albums" Q - 5 Stars - Indispensible - "...it abides as one of The Who's peaks because...its instant, push-button atmosphere is always lifted from the realms of ham by some heartfelt Daltrey shout'n'croon, a bit of comedy Moon...and the anthemic elegance of the last two tracks..." Q - 4 stars out of 5 - "...The very essence of The Who in the '70s - gravity-defying bassruns and all....Townshend's heart sounds like it might burst with all that disaffection. Fantastic, still." Q - 5 Stars - Indispensible - "...it abides as one of The Who's peaks because...its instant, push-button atmosphere is always lifted from the realms of ham by some heartfelt Daltrey shout'n'croon, a bit of comedy Moon...and the antemic elegance of the last two tracks..." NME - 8 (out of 10) - "...it is only now that a fully remastered...full, double CD version has been released....Townshend's windmilling riffing arm has never been busier, John Entwistle remains the finest bass player breathing, and Keith Moon...is truly magnificent..." Q (6/00, p.69) - Ranked #56 in Q's "100 Greatest British Albums" Q (8/96, p.143) - 5 Stars - Indispensible - "...it abides as one of The Who's peaks because...its instant, push-button atmosphere is always lifted from the realms of ham by some heartfelt Daltrey shout'n'croon, a bit of comedy Moon...and the anthemic elegance of the last two tracks..." NME (6/29/96, p.54) - 8 (out of 10) - "...it is only now that a fully remastered...full, double CD version has been released....Townshend's windmilling riffing arm has never been busier, John Entwistle remains the finest bass player breathing, and Keith Moon...is truly magnificent..." Record Collector - 4 stars out of 5 -- "What's initially most striking is how elaborate so many of these tracks are, one man laboriously multi-tracking himself to give his colleagues the fullest possible idea of how the finished songs should sound."

By the early 1970s, rock & roll had been around long enough to begin to examine its own past. In the States, this resulted in Sha Na Na, but in Great Britain, where the popular culture of the young was more complex and coded, the Who's QUADROPHENIA was the most powerful example of this nostalgic view. Reviews at the time focused primarily on the obscure psychological aspect of the story--supposedly, the four sides of the original double-album set are meant to examine the four sides of the main character's personality, each one represented by a different member of the Who. However, the most interesting aspect of QUADROPHENIA is its seamy but poetic depiction of London's early-'60s Mod subculture, from which the Who originally sprang.
Set during the weekend of a climactic seaside gang fight between the Mods and their archenemies the Rockers, Townshend's story follows Jimmy, the archetypal Mod. The impressionistic songs tell an elliptical tale, but also function on their own as vintage '70s Who at their hard-rock height--the sneering "The Punk and the Godfather", the driving "5:15" and the anthemic, redemptive closer "Love, Reign O'er Me" are among Townshend's finest work.|