構成数 | 1枚

合計収録時間 | 00:50:10

Engineers: Paul Hulme, David Champion, Bruno Quinquet, Paul Wickliffe. Personnel: Miriam Stockley, Janis Kelly , Kiri Te Kanawa, Cesaria Evora (vocals); Carey Wilson (whistling); Bau (guitar, 12-string guitar); John Williams , Luis Ramos (guitar); Jose Paris (acoustic guitar); James Carter (saxophone); Totinho (soprano saxophone, percussion); Guy Barker (trumpet); Cyrus Chestnut, Nando Andrade (piano); Alvester Garnett (drums); Mel Wesson (programming). Audio Mixers: Bruno Quinquet; Jose Da Silva ; Paul Hulme. Recording information: Air Studios, Lyndurst Hall, London, England; Avatar Studio; Gimmic Studio, Paris, France; Suite Sixteen Studio, Brisbane, Queensland, Australia. Editor: Roy Prendergast. Unknown Contributor Role: Mel Wesson. Patrick Doyle's score to Alfonso Cuaron's contemporary update of Charles Dickens' Great Expectations is a provocative amalgam of styles that results in a continually intriguing record. Working with a variety of different musicians -- including guitarist John Williams, pianist Cyrus Chestnut, saxophonist James Carter, whistler Carey Wilson and vocalists Cesaria Evora, Miriam Stockley, Kiri Te Kanawa and Tori Amos -- Doyle has created a rich tapestry of sounds that draws from classical music, traditional film scores, opera, flamenco, Latin music, pop, new age and jazz, among many others. While some segments don't work as well as others, the album is an adventurous, unpredictable score that's welcome in an era of overblown, schmaltzy and underwritten soundtracks. ~ Stephen Thomas Erlewine

録音 | ステレオ (Studio)