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Chariots Of Fire (Sdtk)

3.0

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フォーマット CDアルバム
発売日 1982年10月20日
国内/輸入 輸入
レーベルPolydor
構成数 1
パッケージ仕様 -
規格品番 800020
SKU 042280002022

構成数 : 1枚
合計収録時間 : 00:42:03
Original score composed and performed by Vangelis. Recorded at Nemo Studios, London, England. Personnel: The Ambrosian Singers (vocals), Vangelis (various instruments). Engineers: Raphael Preston, John Walker, Raine Shine. Recorded at Nemo Studios, London, England. All songs written by Vangelis except "Jerusalem" (Parry). Composer: Vangelis. Personnel: Vangelis (keyboards); Ambrosian Singers (vocals). Recording information: Nemo STudios, London, England. Actor: Ben Cross. Directors: John McCarthy ; Hugh Hudson. Arrangers: Vangelis; Harry Rabinowitz. While only serious film buffs are likely to recall Hugh Hudson's role as the director of the Oscar-winning CHARIOTS OF FIRE, the Greek composer Vangelis became, and remained, a household name with his soundtrack for the 1981 film. At the time, the theme song was parodied as being excessively saccharin. Indeed, with titles such as "Five Rings" and "100 Metres," the album wears its Olympian heart on its sleeve. Nonetheless, CHARIOTS OF FIRE is often a brooding work, and if the prevailing memory of this album is one of slow-motion runners and heady triumph, Vangelis's synthesizer work often conveys a sense of isolation and lost glory.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Chariots of Fire (Titles)
    2. 2.
      Five Circles
    3. 3.
      Abraham's Theme
    4. 4.
      Eric's Theme
    5. 5.
      100 Metres
    6. 6.
      Jerusalem
    7. 7.
      Chariots of Fire, Film Score

作品の情報

メイン
アーティスト: Vangelis

その他
プロデューサー: Vangelis

オリジナル発売日:1981年

商品の紹介

Vangelis' electronic score for a film set in 1930s Britain seemed an odd match at first, but the title theme, with its echoing, manipulated rhythm box and melodic hook, became one of the most popular theme songs of the early '80s. Just hearing the opening 30 seconds conjures up -- for those who have seen the film -- shots of men running on the beach in slow motion, and has been borrowed, adapted, and ripped-off ever since. Suffice it to say that the other six tracks here can't quite match the punch (if that's the word for something so fey) of the title theme. Much of the rest is very sappy, if often melodic, proto-smooth jazz with a burnish of electronic screeches, washes, and fuzzy fake strings. If it works for the insular "Five Circles," it doesn't for "100 Metres," which so desperately wants to be Elgar's "Pomp and Circumstance" but can't quite get there with its watery synths -- suddenly you realize what a full orchestral arrangement could have added. Side two is a side-long "suite" of the themes on side one, created, one feels, to fill up space. Vangelis went on to snag more soundtrack work, notably Blade Runner.
Rovi

Vangelis' electronic score for a film set in 1930s Britain seemed an odd match at first, but the title theme, with its echoing, manipulated rhythm box and melodic hook, became one of the most popular theme songs of the early '80s. Just hearing the opening 30 seconds conjures up -- for those who have seen the film -- shots of men running on the beach in slow motion, and has been borrowed, adapted, and ripped-off ever since. Suffice it to say that the other six tracks here can't quite match the punch (if that's the word for something so fey) of the title theme. Much of the rest is very sappy, if often melodic, proto-smooth jazz with a burnish of electronic screeches, washes, and fuzzy fake strings. If it works for the insular "Five Circles," it doesn't for "100 Metres," which so desperately wants to be Elgar's "Pomp and Circumstance" but can't quite get there with its watery synths -- suddenly you realize what a full orchestral arrangement could have added. Side two is a side-long "suite" of the themes on side one, created, one feels, to fill up space. Vangelis went on to snag more soundtrack work, notably Blade Runner. ~ Ted Mills
Rovi

「炎のランナー」(1981) 音楽 ヴァンゲリス クルマのCM(日産シーマのCM。CMで使用されているのは、 CM用にオリジナルでアレンジされたバージョンで、同バージョン はCD化されていません)で流れて最近も有名な、 美しいシンセサイザー音楽のサントラの名盤。 リリース当時は、インストゥルメンタル(歌は入らない楽曲)もので チャートインするという珍しいシングル・ヒットともなりました。 誰もが一度は聴いたことのある美しくキャッチーなテーマ、 別メロディの美しく静かに安らげるナンバーも入ってます。 心やすらぐサントラを聴きたいという方の入門編としても おすすめしたい、ヒーリング系サントラの名盤中の名盤!! アカデミー賞スコア音楽賞受賞作。 (C)馬場敏裕
タワーレコード(2005/03/02)

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ヴァンゲリス印のシンセが聴こえてきたら、あとは走り出すのみ。いや〜、素晴らしいです。サントラなので、映画を観てから聴くほうがシーンを思い出しながら浸れるのでおすすめですが、観ていなくてもニューエイジ音楽として楽しめるかもしれません。
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