Rock/Pop
CDアルバム

Rip It Up

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2,090
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還元ポイント
19pt

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フォーマット CDアルバム
発売日 1998年04月06日
国内/輸入 輸入
レーベルPolydor
構成数 1
パッケージ仕様 -
規格品番 5399812
SKU 731453998124

構成数 : 1枚
合計収録時間 : 00:42:12
Joined by Malcolm Ross (ex-Josef K) and sublime percussionist Zeke Manyika, Edwyn Collins moved further away from the pure pop sound of old and further into cross-rhythms and skinny-white-boy funk on this, Orange Juice's second album. That the band was not wholly submerged or embarrassed by this bold move is a tribute to Collins' skill as a songwriter as much as their musicianship. In truth, his world view was still dominated by romance and relationships, or the lack thereof, but he was finding ever more appealing avenues of expression to document his disappointments. The title track is the standout -- it gave Collins a fleeting glimpse of the U.K. Top Ten when it was released as a single -- but "I Can't Help Myself" is another thoroughbred effort. ~ Alex Ogg

  1. 1.[CDアルバム]
    1. 1.
      Rip It Up

      アーティスト： Orange Juice

    2. 2.
      A Million Pleading Faces

      アーティスト： Orange Juice

    3. 3.
      Mud in Your Eye

      アーティスト： Orange Juice

    4. 4.
      Turn Away

      アーティスト： Orange Juice

    5. 5.
      Breakfast Time

      アーティスト： Orange Juice

    6. 6.
      I Can't Help Myself

      アーティスト： Orange Juice

    7. 7.
      Flesh of My Flesh

      アーティスト： Orange Juice

    8. 8.
      Louise Louise

      アーティスト： Orange Juice

    9. 9.
      Hokoyo

      アーティスト： Orange Juice

    10. 10.
      Tenterhook

      アーティスト： Orange Juice

作品の情報

メイン
アーティスト： Orange Juice

オリジナル発売日：1982年

商品の紹介

Pitchfork - "RIP IT UP was an overlooked post-punk gem with funk rhythms, angular guitars and catchy melodies. It was New Romanticism with all the softness and glamour removed."
Rovi

Joined by Malcolm Ross (ex-Josef K) and sublime percussionist Zeke Manyika, Edwyn Collins moved further away from the pure pop sound of old and further into cross-rhythms and skinny-white-boy funk on this, Orange Juice's second album. That the band was not wholly submerged or embarrassed by this bold move is a tribute to Collins' skill as a songwriter as much as their musicianship. In truth, his world view was still dominated by romance and relationships, or the lack thereof, but he was finding ever more appealing avenues of expression to document his disappointments. The title track is the standout -- it gave Collins a fleeting glimpse of the U.K. Top Ten when it was released as a single -- but "I Can't Help Myself" is another thoroughbred effort. ~ Alex Ogg|
Rovi

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