Rock/Pop
CDアルバム

Trouble Over Bridgwater

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フォーマット CDアルバム
発売日 2000年04月24日
国内/輸入 輸入
レーベルProbe Plus
構成数 1
パッケージ仕様 -
規格品番 PROBE48CD
SKU 5019148624721

構成数 : 1枚
合計収録時間 : 00:51:29
A solid leap over 1998's lackluster Four Lads Who Shook the Wirral, Trouble Over Bridgwater kicks out of the gates with one of Nigel Blackwell's all-time greats, a celebration of pop music in all its forms called "Irk the Purists." A call to like what you like whether it's hipster-approved or not, based on the tune of the hymn "Hosanna to the King of Kings" (with a bridge copped from the transcendentally naff 1983 Europop hit "Agadoo" by Black Lace), "Irk the Purists" could well be Half Man Half Biscuit's spiritual theme song. The word spiritual isn't bandied about lightly, for the next track, "Uffington Wassail," continues Blackwell's recent interest in Biblical allusion in the service of his increasingly ornate character studies of village life in the northwest of England. On a more secular level, "Twenty Four Hour Garage People" (interpolating a bit of the folk standard "In the Pines") and "It's Cliched to Be Cynical at Christmas" are among Blackwell's most effective social commentaries, and his ongoing string of tweaks to the self-obsessed and stylish continues apace with "With Goth on Our Side," the deadpan dance music parody "Nove on the Sly," and the downright evil mockery of "The Ballad of Climie Fisher," a surreal, half-spoken fantasia on the demise of a particularly egregious '80s chart pop duo set to a lovely circular acoustic guitar figure. Overall, an entirely solid addition to Half Man Half Biscuit's later catalog, nearly as good as 2005's outstanding Achtung Bono. ~ Stewart Mason

  1. 1.[CDアルバム]
    1. 1.
      Irk the Purists

      アーティスト: Half Man Half Biscuit

    2. 2.
      Uffington Wassail

      アーティスト: Half Man Half Biscuit

    3. 3.
      Third Track Main Camera Four Minutes

      アーティスト: Half Man Half Biscuit

    4. 4.
      Nove on the Sly

      アーティスト: Half Man Half Biscuit

    5. 5.
      Ballad of Climie Fisher

      アーティスト: Half Man Half Biscuit

    6. 6.
      Gubba Look-a-Likes

      アーティスト: Half Man Half Biscuit

    7. 7.
      Mathematically Safe

      アーティスト: Half Man Half Biscuit

    8. 8.
      With Goth on Our Side

      アーティスト: Half Man Half Biscuit

    9. 9.
      Used to Be in Evil Gazebo

      アーティスト: Half Man Half Biscuit

    10. 10.
      Slight Reprise

      アーティスト: Half Man Half Biscuit

    11. 11.
      It's Cliched to Be Cynical at Christmas

      アーティスト: Half Man Half Biscuit

    12. 12.
      Visitor for Mr. Edmonds

      アーティスト: Half Man Half Biscuit

    13. 13.
      Bottleneck at Capel Curig

      アーティスト: Half Man Half Biscuit

    14. 14.
      Emerging from Gorse

      アーティスト: Half Man Half Biscuit

    15. 15.
      Look Dad No Tunes

      アーティスト: Half Man Half Biscuit

    16. 16.
      Twenty Four Hour Garage People

      アーティスト: Half Man Half Biscuit

作品の情報

メイン
アーティスト: Half Man Half Biscuit

商品の紹介

A solid leap over 1998's lackluster Four Lads Who Shook the Wirral, Trouble Over Bridgwater kicks out of the gates with one of Nigel Blackwell's all-time greats, a celebration of pop music in all its forms called "Irk the Purists." A call to like what you like whether it's hipster-approved or not, based on the tune of the hymn "Hosanna to the King of Kings" (with a bridge copped from the transcendentally naff 1983 Europop hit "Agadoo" by Black Lace), "Irk the Purists" could well be Half Man Half Biscuit's spiritual theme song. The word spiritual isn't bandied about lightly, for the next track, "Uffington Wassail," continues Blackwell's recent interest in Biblical allusion in the service of his increasingly ornate character studies of village life in the northwest of England. On a more secular level, "Twenty Four Hour Garage People" (interpolating a bit of the folk standard "In the Pines") and "It's Cliched to Be Cynical at Christmas" are among Blackwell's most effective social commentaries, and his ongoing string of tweaks to the self-obsessed and stylish continues apace with "With Goth on Our Side," the deadpan dance music parody "Nove on the Sly," and the downright evil mockery of "The Ballad of Climie Fisher," a surreal, half-spoken fantasia on the demise of a particularly egregious '80s chart pop duo set to a lovely circular acoustic guitar figure. Overall, an entirely solid addition to Half Man Half Biscuit's later catalog, nearly as good as 2005's outstanding Achtung Bono. ~ Stewart Mason|
Rovi

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