| フォーマット | CDアルバム |
| 発売日 | 2005年05月23日 |
| 国内/輸入 | 輸入 |
| レーベル | Virgin US |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | X5804292 |
| SKU | 724358042924 |
構成数 : 1枚
合計収録時間 : 00:45:46
Personnel: Nikka Costa (vocals, piano, Fender Rhodes piano, tambourine); Nikka Costa (keyboards); Keith Megna (guitar, acoustic guitar, electric guitar, sitar); Justin Stanley (guitar, electric guitar, organ, Mellotron, bass guitar, kalimba, percussion); Joshua "Trumpet Solo" Lopez (guitar, electric guitar, shaker); Josh Lopez (electric guitar, shaker); Tim Arindgreff (horns); Jon Brian (organ); Jon Brion (chord organ, synthesizer); Lenny Kravitz (bass guitar, drums); Shawn Davis (bass guitar); Satnam Ramgotra (drums, turntables); Craig Ross (guitar, acoustic guitar, electric guitar); Wendy Melvoin (electric guitar); Joel Derouin, Bruce Dukov, Berj Garabedian, Charlie Bisharat (violin); Larry Corbett (cello); Printz Board, Tim Izo Orindgreff (horns); Brian LeBarton (Clavinet, organ); Roger Manning (Clavinet); Stan "Chance" Howard (organ, Moog synthesizer); James Poyser (Moog synthesizer); Abe Laboriel, Jr. , Questlove, John Blackwell, Brian Reitzell (drums); Davey Chegwidden (congas, bongos).
Audio Mixers: Justin Stanley; Manny Marroquin; Jim Scott ; Adam Moseley.
Photographers: Ranjit Grewal; Sinisha.
If Nikka Costa's 2001 domestic debut EVERYBODY GOT THEIR SOMETHING proved how wide a stylistic net the singer could cast, then her 2005 follow-up CAN'TNEVERDIDNOTHIN' serves as a focused outlet for Costa's funkiest tendencies. In pumping up the wah-wah guitar, clavinet, strings, and biting horn charts, this California native has crafted an album brimming with the kind of sexual vibe and joie de vivre that will conjure up images of Prince, Sly Stone, and Betty Wright.
When Costa isn't channeling Macy Gray on the likes of "Happy in the Morning" or wailing throughout the spicy swagger of "Till I Get to You," her subtler moments are just as stunning. "I Gotta Know" employs piano and gorgeous orchestration to convey romantic uncertainty, while "Fatherless Child," an homage to Costa's late father, Sinatra arranger Don, resonates with genuine pain. But it's as a brash hellion that Costa hits her mark best. A tribal percussion intro gives way to a scorching reading of Ike and Tina Turner's "Funkier Than a Mosquitoes Tweeter" while "On & On" stomps with an authority that suggests Led Zeppelin with a P-Funk attitude adjustment.
録音 : ステレオ (Studio)
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。