| フォーマット | CDアルバム |
| 発売日 | 2000年02月22日 |
| 国内/輸入 | 輸入 |
| レーベル | Prestige Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 24239 |
| SKU | 025218523929 |
構成数 : 1枚
合計収録時間 : 01:05:32
2 LPs on 1 CD.
Includes liner notes by Mitch Greenhill.
Digitally remastered by Joe Tarantino (2000, Fantasy Studios, Berkeley).
PICKIN' THE CITY BLUES:
Personnel: Mitch Greenhill (vocals, guitar); Geoff Muldaur (guitar, washboard); Bill Lee (bass).
Producer: Samuel Charters.
Recorded in 1963.
Originally released on Prestige/Folklore (14026).
SHEPHERD OF THE HIGHWAY:
Personnel: Mitch Greenhill (guitar, banjo); Geoff Muldaur (guitar); Jeff Gutcheon (piano); Fritz Richmond (washtub bass, jug).
Producer: Larry Schreiber.
Recorded in 1965 & 1966.
Originally released on Prestige (7438).
Personnel: Mitch Greenhill (vocals, guitar); Geoff Muldaur (guitar, washboard); Jeff Gutcheon (piano).
Audio Remasterer: Joe Tarantino.
Recording information: 1963-1966.
Illustrator: Eric Von Schmidt.
Photographers: Don Schlitten; Touchstone.
Mitch Greenhill's 1960s albums Pickin' the City Blues and Shepherd of the Highways had been out of print for a long time when, in April 2000, Fantasy reissued them on the 65-minute CD Shepherd of the City Blues. Recorded from 1963-1966, these recordings point to the fact that while folk singer/instrumentalist Greenhill wasn't mind-blowing, he was competent, likable, and sincere. Pickin' the City Blues and Shepherd of the Highways are very different albums; while Greenhill's singing is the main focus of Pickin', Highways is an instrumental date that finds the Bostonian playing both acoustic guitar and banjo and drawing on influences that range from old-time country string bands to Lonnie Johnson's jazz-influenced country blues. Improvisation defines Highways, whereas on Pickin', Greenhill's role is that of a storyteller; and even though Greenhill isn't a fantastic singer, he gets his points across on original songs as well as the hillbilly favorite "Ragged but Right" and blues classics like Sonny Boy Williamson's "Good Morning Little School Girl" and Willie Dixon's "Built for Comfort." Although these Dixon and Williamson gems have usually been heard as electric Chicago blues, Greenhill has no problem turning them into the type of acoustic country blues that represented legitimacy to many folk artists of the 1960s. Since Greenhill hasn't done a great deal of recording over the years, Shepherd of the City Blues is the logical place to go if you're exploring his work for the first time. ~ Alex Henderson
録音 : ステレオ (Studio)
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