構成数 | 1枚

合計収録時間 | 00:49:06

Personnel: Mark Lanegan (guitar); Mark Lanegan; PJ Harvey (vocals); Alain Johannes (guitar, strings, organ, keyboards, synthesizer, drums, background vocals); Dimitri Coats (guitar, piano, drums); Troy Van Leeuwen (guitar, piano); Dave Catching (guitar, organ); Josh Homme (guitar, drums); John Kastner (guitar, background vocals); David Catching, Bukka Allen (organ); Molly McGuire (bass guitar); Keni Richards, Joey Castillo (drums); Tracy Chisholm (drum machine, tapes); Greg Dulli, Nick Oliveri, Ian Moore, Natasha Shneider, Brett Netson (background vocals); Chris Goss (vocals, guitar, piano); Wendy Rae Fowler (vocals, piano, background vocals); Izzy Stradlin (vocals); Aldo Struyf (piano, organ, synthesizer); Duff McKagan. Audio Mixer: Rick "Soldier" Will. Recording information: 11a.d., Hollywood, CA (2003-2004); Del Boca Vista South, Pasadena CA (2003-2004); Donner & Blitzen Studios, Arcadia, CA (2003-2004); Kudzu Ranch, Mebane, NC (2003-2004); Lethal, Los Angeles, CA (2003-2004); Rancho De La Luna, Joshua Tree, CA (2003-2004); Sound Arts, Houston, TX (2003-2004); Sound City, Los Angeles, CA (2003-2004); Stagg Street, Los Angeles, CA (2003-2004). In between the release of FIELD SONGS and its follow-up, BUBBLEGUM, former Screaming Trees singer Mark Lanegan sang for hard-rock heroes both old (a reunited MC5) and new (Queens of the Stone Age), gaining both fans and famous friends in the process. Thus, all eyes were on Lanegan for BUBBLEGUM, which features guest shots by everyone from PJ Harvey and Queens leader Josh Homme to Izzy Stradlin and Duff McKagan of Guns N' Roses. Fortunately, all this attention doesn't seem to have fazed the sandpaper-voiced singer; despite the guest list, BUBBLEGUM is as dirty, gritty, and raw as anything in his catalog. While much of Lanegan's previous solo work is a mix of languid folk-rock, gutter blues, and the kind of grunge-mutated 1960s-psych influences that powered the Screaming Trees, BUBBLEGUM is lean, angular, and occasionally almost avant-garde. Simple, driving, Stooges-like riffs and rhythms abet minimalistic organ lines, heavily treated vocals, and a somewhat industrial tonal aesthetic. Notorious substance-abuser Lanegan's post-rehab lyrics are no less ominous or emotionally harrowing for their expanded perspective, and he remains a challenging singer/songwriter eager to explore new sonic avenues.

エディション | Reissue

録音 | ステレオ (Studio)