| フォーマット | CDアルバム |
| 発売日 | 1994年01月27日 |
| 国内/輸入 | 輸入 |
| レーベル | Prestige Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 24135 |
| SKU | 025218513524 |
構成数 : 1枚
合計収録時間 : 01:15:18
Personnel: Charles McPherson, Lonnie Hillyer, Barry Harris, Ray McKinney, Billy Higgins.
Recorded on October 13, 1966.
Personnel: Charles McPherson (alto saxophone); Lonnie Hillyer (trumpet); Barry Harris , Barry Harris Trio (piano); Billy Higgins (drums).
Liner Note Author: Ira Gitler.
Recording information: Five Spot, New York, NY (10/13/1966); The Five Spot, New York, NY (10/13/1966).
Photographer: Jim Marshall .
Unknown Contributor Roles: Lonnie Hillyer ; Ray McKinney; Barry Harris ; Billy Higgins .
This 1966 live set comes by its retro-bop feel honestly. Its link to the bop tradition is the group's pianist, Barry Harris, who bridges the generation between Bird, Diz, and Bud Powell and that of leader Charles McPherson. It was Harris, a Powell disciple, who steeped saxophonist McPherson and trumpeter Lonnie Hillyer in the bop idiom when they were teenagers growing up in Detroit. An equally formative experience for McPherson and Hillyer was their time with various Charles Mingus groups in the early '60s. By the time of this date, the bop flames the pair had nurtured had become white hot. McPherson is a commanding performer, with a penetrating tone and an ability to explore a song for subtler possibilities. Hillyer, a less imposing presence, has a questing musical conception that makes up for occasions when his ideas get away from him at a technical level. Harris is the connecting tissue, the player who -- with drummer Billy Higgins -- holds the music together, keeping these loose-limbed performances from becoming a rambling blowing session. Bassist Ray McKinney plays a classic supporting role, seamlessly weaving his contribution into Harris and Higgins' fabric. The best tracks on this varied set are the ones most firmly rooted in bop: a turbo-speed treatment of Charlie Parker's and Dizzy Gillespie's "Shaw Nuff," one of the better versions of Thelonious Monk's "Epistrophy," and Harris' own "Luminesence," derived from "How High the Moon." ~ Jim Todd
録音 : ステレオ (Live)

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
