| フォーマット | CDアルバム |
| 発売日 | 2008年01月15日 |
| 国内/輸入 | 輸入 |
| レーベル | Prestige Records |
| 構成数 | 3 |
| パッケージ仕様 | - |
| 規格品番 | 1844282 |
| SKU | 025218442824 |
構成数 : 3枚
合計収録時間 : 03:06:47
THE COMPLETE PRESTIGE RECORDINGS features sessions headed by Coleman Hawkins, Thelonious Monk, Sonny Rollins, Monk & Rollins and Miles Davis.
Personnel includes: Thelonious Monk (piano); Coleman Hawkins, Sonny Rollins, Frank Foster (tenor saxophone); Miles Davis, Ray Copeland (trumpet);Julius Watkins (French horn); Milt Jackson (vibraphone); Gary Mapp, Tommy Potter, Edward "Bass" Robinson, Curly Russell (bass); Arthur Taylor, Denzil Best, Kenny Clarke, Willie Jones, Max Roach (drums).
Producers: Bob Weinstock, Walter "Foots" Thomas, Teacho Wiltshire, Ira Gitler.
Compilation producer: Eric Miller.
Recorded between 1952 and 1954. Includes liner notes by Peter Keepnews.
Digitally remastered using 20-bit K2 Super Coding technology.
Personnel: Thelonious Monk (piano); Coleman Hawkins, Frank Foster , Sonny Rollins (tenor saxophone); Miles Davis, Ray Copeland (trumpet); Julius Watkins (French horn); Denzil Best, Kenny Clarke, Max Roach, Willie Jones (drums).
Liner Note Author: Peter Keepnews.
Recording information: Hackensack, NJ (10/19/1944-10/25/1954); New York, NY (10/19/1944-10/25/1954).
Photographers: Don Schlitten; Esmond Edwards; Chuck Stewart.
There isn't much from Thelonious Monk's pre-1960s catalogue that isn't worth listening to, and though the pianist/composer's tenure at Prestige was fairly short-lived (1952-1954), and the output is less essential than either his Blue Note recordings or his definitive work for Riverside, this music is still outstanding. Disc One's first four tracks actually date back to 1944, when Monk made his first Prestige appearance as a sideman for Coleman Hawkins. From here the timeline jumps to sessions from '52-'53 that feature Monk in various ensemble configurations including quartets, quintets, and trios.
Top-drawer players--including bassist Percy Heath, tenor man Sonny Rollins, and drummers Max Roach and Art Blakey--appear on these dates, with the bold push-and-pull between Monk and Rollins making the biggest impression. Disc Three focuses on the one session that ever found Monk and trumpet legend Miles Davis sharing a studio (due to personal and aesthetic differences the two subsequently steered clear of each other), with excellent and sensitive playing all around. At three discs, THE COMPLETE PRESTIGE RECORDINGS might seem skimpy compared to other "complete" sets, but the size makes the listening quite manageable, and the caliber of the playing is consistently high throughout.
録音 : モノラル (Studio)
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。