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Jazz
CD
Mal/2
★★★★★
★★★★★
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商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

1999年07月08日

規格品番

671

レーベル

SKU

025218667128

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商品の紹介
This is an unusual set by pianist Mal Waldron. He utilizes a sextet with trumpeter Art Farmer, flutist Eric Dixon, cellist Calo Scott, bassist Julian Euell and drummer Elvin Jones on three of his picturesque originals and his wife Elaine Waldron contributes vocals to the wordless "Portrait of a Young Mother" and Harold Arlen's "For Every Man There's a Woman." The music is not essential but holds one's interest throughout the straight CD reissue of the original LP. ~ Scott Yanow
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 01:07:00

Personnel: Mal Waldron (piano); Sahib Shihab, Jackie McLean (alto saxophone); John Coltrane (tenor saxophone); Bill Hardman, Idrees Sulieman (trumpet); Julian Euell (bass); Art Taylor, Ed Thigpen (drums). Recorded in Hackensack, New Jersey on April 19 and May 17, 1957. Originally released on Prestige (7111) except tracks #4 and #5 released on New Jazz (8316). Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley). Personnel: Mal Waldron (piano); Jackie McLean, Sahib Shihab (alto saxophone); John Coltrane (tenor saxophone); Idrees Sulieman, Bill Hardman (trumpet); Ed Thigpen, Art Taylor (drums). Audio Remasterer: Phil DeLancie. Liner Note Author: Ira Gitler. Recording information: New Jersey (04/19/1957-05/17/1957). Unknown Contributor Roles: Ed Thigpen; Julian Euell; Idrees Sulieman; Jackie McLean; John Coltrane; Sahib Shihab; Art Taylor; Bill Hardman. This 1957 recording was the second of Mal Waldron's four Mal-titled albums (MAL/1, MAL/2, MAL/3, MAL/4). Divided between standards and originals, Mal leads a sextet throughout, with featured soloists John Coltrane and Jackie McLean. The set as a whole adheres closer to the prevailing post-bop style of the day. Waldron's elegantly minimalist approach is most audible in his solos, and occasionally in his writing. The closing "One By One" is distinctly Waldron, with its angularly fractured march-like cadence and moody bearing. For the most part though, his writing had yet to embrace the innovative characteristics that would emerge on his 1961 album THE QUEST.

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