| フォーマット | CDアルバム |
| 発売日 | 1996年07月02日 |
| 国内/輸入 | 輸入 |
| レーベル | Original Jazz Classics |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1879 |
| SKU | 025218187923 |
構成数 : 1枚
合計収録時間 : 00:39:46
Personnel: Jaki Byard (piano); Ron Carter (bass); Pete La Roca (drums).
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 30, 1962. Includes liner notes by Nat Hentoff.
Digitally remastered by Phil De Lancie (1996, Fantasy Studios, Berkeley, California).
Personnel: Jaki Byard (piano); Pete La Roca (drums).
Audio Remasterer: Phil DeLancie.
Liner Note Author: Nat Hentoff.
Recording information: Englewood Cliffs, NJ (01/30/1962).
Photographer: Don Schlitten.
Following the success of Here's Jaki, the eclectic pianist continued his explorations in a trio format, with Pete La Roca replacing Roy Haynes on the drums. The set mixes standards with some forgotten gems, plus three originals. The "Excerpts from Yamecraw" is an updated version of the nearly forgotten James P. Johnson orchestral suite, which is complimented here by the Byard original "There Are Many Worlds," which was also written for an orchestra. "Tillie Butterball" is a fun blues romp based on a puppy and a bowling alley. Byard's distinctive approach is evident on Randy Weston's title track "Hi-Fly" and George Shearing's "Lullaby of Birdland," while his debt to Thelonious Monk, sprinkled throughout this session, is obvious on "'Round Midnight." What makes this session special, however, is his original "Here to Hear." His multi-influenced compositional style matched by his versatile technique is explored at length. There are certain pieces that can never be interpreted by anyone else but the composer, and that is the case here, for it would be virtually impossible, and futile, to try and duplicate the individual genius of Jaki Byard. This stands as one of his best. ~ Robert Taylor
録音 : ステレオ (Studio)

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