| フォーマット | CDアルバム |
| 発売日 | 1999年10月19日 |
| 国内/輸入 | 輸入 |
| レーベル | Original Jazz Classics |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1026 |
| SKU | 025218702621 |
構成数 : 1枚
合計収録時間 : 00:39:13
Personnel: Barry Harris (piano); Ron Carter (bass); Leroy Williams (drums).
Recorded at RCA Studios, New York, New York on November 25, 1969. Includes liner notes by Ira Gitler.
Digitally remastered by Kirk Felton (1999, Fantasy Studios, Berkeley, California).
Personnel: Barry Harris (piano); Leroy Williams (drums).
Audio Remasterer: Kirk Felton.
Liner Note Author: Ira Gitler.
Recording information: New York, NY (11/25/1969); RCA Studios; New York City (11/25/1969).
Photographer: Don Schlitten.
From the opening tour de force reading of Coleman Hawkins' "Bean and the Boys" to the closing performance of Charlie Parker's "Dexterity," Magnificent brilliantly illustrates Barry Harris' unique rapport with the bop piano tradition. Absolutely unlike the enervating, curatorial approach of the neo-con movement, Harris deals with the tradition as a continuum, perpetually rejuvenating and extending it. Along with the opening and closing tracks, the classics on this 1969 date include a caressing exploration of "These Foolish Things" and a dazzling treatment of "Ah-Leu-Cha." On the latter, Harris deftly finesses the counterpoint that was handled between Charlie Parker and Miles Davis on the original 1948 Savoy recording. Magnificent's classics meld seamlessly with the Harris originals. His "You Sweet and Fancy Lady" is in a sly, soulful Bobby Timmons style. "Rouge" (not the John Lewis tune) is a poignant ballad with muscle, not mush, at its heart. "Just Open Your Heart" begins Monk-ish, then modulates to statements that are more purely Harris'. "Sun Dance" (also not the John Lewis tune) is a contemporary Latin-flavored number. Harris, whose performances here reveal new subtleties with each listening, is superbly supported by bassist Ron Carter and drummer Leroy Williams. Both play their roles fairly straight, although Williams adds some interesting oblique accents, while Carter augments the dead-on precision of his walking style with harmonic spice, knowing use of space, double stops, and strummed passages. ~ Jim Todd
録音 : ステレオ (Studio)

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
