Way Back to Paradise

構成数 : 1枚
合計収録時間 : 00:43:27
Personnel includes: Audra McDonald (vocals); Eric Stern (conductor); Dawn Upshaw, Adam Guettel, Theresa McCarthy. Personnel: Audra McDonald (vocals); Adam Guettel, Dawn Upshaw (vocals); Emily Mitchell (harp); Michael Roth , Joel Pitchon, Belinda Whitney-Barratt, Naomi Katz, Martin Agee, Cenovia Cummins (violin); Kenneth Burward-Hoy, Debra Shufelt (viola); Jeanne LeBlanc, Jesse Levy, Clay Ruede (cello); Chuck Wilson, Jeffrey Marchand, David Tofani, John Campo, Lawrence Feldman, Richard Heckman (woodwinds); Brian O'Flaherty, Tony Kadleck (trumpet); Russ Rizner-French, Sharon Moe (French horn); James Pugh, Paul Faulise (trombone); Eric Stern, Lee Musiker (piano, celesta); Kenneth Bichel (keyboards); Tom Partington, Gordon Gottlieb (percussion). Audio Mixer: Joel Moss . Liner Note Author: Terrence McNally. Recording information: Hit Factory, New York, NY (11/1997). Photographer: John Halpern. Broadway star Audra McDonald took an unexpected approach to her debut solo album, eschewing the usual practice of performing standards in favor of spotlighting a group of young theater composers in songs, many of them given their first recordings, written for her or for so far unproduced musicals. Jason Robert Brown, Jenny Giering, Ricky Ian Gordon, Adam Guettel, and Michael John LaChiusa contributed a variety of material, allowing McDonald to assume such characters as the wife of an accused murderer (Brown's "You Don' t Know This Man" from the subsequently produced Parade), an expectant mother (Guettel's "Baby Moon"), and the "Mistress of a Senator" (from LaChiusa's 1994 musical Hello Again). LaChiusa's "Way Back to Paradise" was a feminist anthem from Marie Christine, a show in which McDonald planned to star, while "A Tragic Story" was Guettel's setting of a comic poem by William Makepeace Thackeray, and "A Lullaby" was Gordon's melody to a text by James Agee. Thus, the material was diverse, if unfailingly theatrical. Nevertheless, this was an art project, with its restrained, piano plus chamber orchestra arrangements and seriously intended, dramatic songs. What kept it from being stuffy and fragmented was the commitment of McDonald's performances. Along with a stunning soprano voice, she proved very much a singing actress who invested each song with a believable character. She was better at passion than humor (notably failing to bring out the ironic sting in Brown's "Stars and the Moon"), but she saved Gordon's three settings of texts by Langston Hughes, even making them the structure on which the rest of the album hung. She deserved accolades both for the risky concept of the album and for its execution. ~ William Ruhlmann
録音 : ステレオ (Studio)