Mandy Barnett

構成数 : 1枚
合計収録時間 : 00:33:36
Personnel: Mandy Barnett (vocals); Mervyn Warren (arranger, background vocals); Ron Huff, Micheal O'Martian (arrangers); Dan Dugmore (acoustic, electric & steel guitars); Richard Bennet, Dean Parks (acoustic & electric guitars); Chris Leuzinger, Billy Joe Walker, Jr. (acoustic guitar); Brent Mason, Steve Gibson, Steuart Smith (electric guitar); The Nashville String Machine (strings); Steve Nathan (piano, organ); Matt Rollings (piano); David Hungate, Glenn Worf (bass); Paul Leim, Lonnie Wilson (drums); Alison Krauss, Rose Stone, Bill Champlin, Gene Miller, Alvin "Vinnie" Chea, John Joyce, Beth Anderson, Jim Photoglo, Harry Stinson (background vocals). Principally recorded at Woodland Studios, Nashville, Tennessee. Personnel: Mandy Barnett (vocals, background vocals); Dan Dugmore (acoustic guitar, electric guitar, steel guitar); Dean Parks (acoustic guitar, electric guitar); Chris Leuzinger, Billy Joe Walker, Jr., Richard Bennett (acoustic guitar); Stuart Smith, Steve Gibson , Brent Mason (electric guitar); The Nashville String Machine (strings); Steve Nathan (piano, organ); Matt Rollings (piano); Lonnie Wilson, Paul Leim (drums); Beth Andersen, Gene Miller , Harry Stinson, John Joyce, Rose Stone, Bill Champlin (background vocals). Photographer: Norman Jean Roy. Arrangers: Bill Schnee; Chris Leuzinger; Dan Dugmore; Glenn Worf; Kyle Lehning; Mandy Barnett; Mervyn Warren; Richard Bennett; Steve Nathan ; Paul Leim. Tennessee native Mandy Barnett had already been busy bringing Patsy Cline back to life by playing (and singing the songs of) the rowdy, legendary vocalist in the stage production Always...Patsy Cline. Then Barnett, not yet even 21 years old, took that experience and used it to power her self-titled debut album for Asylum Records. Cline's influence is out front on Barnett's handling of Willie Nelson's 1962 classic "Three Days" and the brand-new Kostas/Richard Bennett song "I'll Just Pretend." The downside of Barnett's album is that the production tends toward clean and safe territory (such as the overabundance of strings on the syrupy "Rainy Days"). The upside is that, even during her album's most middle-of-the-road moments, Barnett's voice remains strong, smooth, and confident. And a few of the songs shine with real promise -- Barnett's delicate handling of Jim Lauderdale's "Planet of Love," for example, and the traditional "Wayfaring Stranger," which closes the album on a comfortable, unhurried note. ~ Kurt Wolff
録音 : ステレオ (Studio)