Soul/Club/Rap
CDアルバム

The Unseen<限定盤>

5.0

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フォーマット CDアルバム
発売日 2020年07月31日
国内/輸入 輸入(アメリカ盤)
レーベルStones Throw
構成数 1
パッケージ仕様 -
規格品番 STH2025
SKU 659457202521

構成数 : 1枚
合計収録時間 : 01:03:09
Personnel includes: Quasimoto, Madlib, Mr. Herb, Medaphoar, Wildchild. Personnel includes: Quasimoto, Madlib. Recording information: Conductors Hideaway. Quasimoto's The Unseen is one of the most imaginative albums of the new West Coast underground, a puzzling, psychedelic jazz-rap gem riddled with warped humor and fractured musical genius. Producer Madlib actually outdoes his inventive work on the Lootpack's debut album, Soundpieces: Da Antidote!, crafting deep, dreamy jazz loops littered with found sounds and wiggy vocal samples. Quasimoto's helium-huffing voice is actually Madlib's, electronically altered for an effect not unlike Prince's abandoned Camille project. It might put some listeners off as gimmicky, and it's really a shame if it does, because it isn't really the focal point of The Unseen's left-field brilliance. It's more of an added textural element for Madlib's off-kilter soundscapes and a vehicle for the cartoonish humor hinted at in his choice of samples. The lyrics are highly free-associative (that is to say, stoned beyond belief), and by turns paranoid, threatening, or hallucinatory. But it all melts into the warm, druggy haze of the music; unlike, say, the Wu-Tang Clan or Dr. Octagon, this dream isn't supposed to be a nightmare. Quas' scattershot flow isn't what you'd call technically accomplished, but that's by design -- he's supposed to be fragmented, not quite all there. The song structures are similarly loose, with rhymes coming from nowhere and disappearing just as quickly; the tracks are short (all under four minutes) and end abruptly, as though Quas is too blunted to think of anything else to say. (Madlib does appear as himself on occasion, and usually sounds just as noncommittal as his "collaborator.") Highlights are plentiful, and include the brilliant singles "Microphone Mathematics" and "Come on Feet," the bizarre trash-talking of "Bad Character" and "Put a Curse on You," and the joy-of-music cuts "Return of the Loop Digga" and "Jazz Cats, Pt. 1," which recount Madlib's obsession with record collecting and name-check his favorites. It takes some time to assimilate, but The Unseen gradually reveals itself as one of the most unique and rewarding albums of its era. ~ Steve Huey

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      Welcome to Violence

      アーティスト: Quasimoto

    2. 2.
      Bad Character

      アーティスト: Quasimoto

    3. 3.
      Microphone Mathematics

      アーティスト: Quasimoto

    4. 4.
      Basic Insinct

      アーティスト: Quasimoto

    5. 5.
      Goodmorning Sunshine

      アーティスト: Quasimoto

    6. 6.
      Discipline 99, Pt. 0

      アーティスト: Quasimoto

    7. 7.
      Low Class Conspiracy

      アーティスト: Quasimoto

    8. 8.
      Return of the Loop Digga

      アーティスト: Quasimoto

    9. 9.
      Real Eyes

      アーティスト: Quasimoto

    10. 10.
      Come on Feet

      アーティスト: Quasimoto

    11. 11.
      Bluffin

      アーティスト: Quasimoto

    12. 12.
      Boom Music

      アーティスト: Quasimoto

    13. 13.
      MHBs

      アーティスト: Quasimoto

    14. 14.
      Put a Curse on You

      アーティスト: Quasimoto

    15. 15.
      Astro Black

      アーティスト: Quasimoto

    16. 16.
      Green Power

      アーティスト: Quasimoto

    17. 17.
      Jazz Cats, Pt. 1

      アーティスト: Quasimoto

    18. 18.
      24-7

      アーティスト: Quasimoto

    19. 19.
      The Unseen

      アーティスト: Quasimoto

    20. 20.
      Phony Game

      アーティスト: Quasimoto

    21. 21.
      Astro Travellin

      アーティスト: Quasimoto

    22. 22.
      Blitz

      アーティスト: Quasimoto

    23. 23.
      Axe Puzzles

      アーティスト: Quasimoto

    24. 24.
      Discipline 99, Pt. 1

      アーティスト: Quasimoto

作品の情報

メイン
アーティスト: Quasimoto

その他
プロデューサー: Madjib
エンジニア: Madjib

オリジナル発売日:2000年

商品の紹介

MADLIB、Stones Throw、そして西海岸クラシック、Quasimotoの衝撃のデビューアルバムが20年の時を経て遂に再プレス決定!!

ヒップホップが生んだ稀代のプロデューサー、ビートの巨人:マッドリブの変名キャラクターとしてデビューし、その超絶なトラックとユニークなラップ、オリジナルな世界観にシーンが激震!西海岸ヒップホップ史に輝く大名盤が遂に再プレス決定!

"Microphone Mathematics"、"Low Class Conspiracy"、"Come On Feet"、"Jazz Cats Pt.1"など名トラック満載、リリースから20年を過ぎた今でも多様なビートシーンに影響を与え続けるマッドリブ永遠のクラシック!J. ディラと並ぶビートの巨人:マッドリブ。マッドリブの変名キャラクターとしてそのビートやサウンド、世界観の神髄が味わえるのがこのクアジモトだ。膨大なレコード・コレクションから抽出されたソウルやファンク、ジャズのネタはもちろん、ロック、サントラ、辺境系などからもサンプリング、そして奇想天外な料理法で制作されたスモーキーでレイドバックしたビート群。オリジナル・ラップと早回しラップのマイクリレーによって作り出された完全に異次元の世界観!マッドリブの鬼才たる所以を存分に見せつけた永遠不滅の名作です!
発売・販売元 提供資料(2020/06/30)

Spin (1/01, p.73) - Ranked #17 in Spin's "Top 20 Albums of the Year [2000]". Spin (10/00, pp.175-6) - 7 out of 10 - "...A giddily disorienting pastiche of warped snaps, resin-caked jazz, and crusty comedy record samples....he puts unpredictable spins on mundane subject matter..." Alternative Press (10/00, p.107) - 3 out of 5 - "...A monotonous jazzy gray, and it's definitely an acquired taste." The Wire (5/00, p.65) - "...He sounds perfect....the production is a fazed, dubby take on A Tribe Called Quest styled jazz beats....representing just about everything that makes HipHop great in the two triple zero." CMJ (1/08/01, p.27) - Included in CMJ's "Best Hip-Hop Albums" of 2000. CMJ (5/22/00, p.35) - "...Lootpack guru Madlib drops some serious and oddball heat on this side project...loosely based on Melvin Van Peebles' 'Sweet Sweetback's Baadassss Song'..." Melody Maker (8/26/00, p.59) - 3 stars out of 5 - "...If comedy football manager Alan Ball turned his 'unique' vocal sound (think baby Spice with a sore throat) to hip-hop, it might sound like this..." Mojo (Publisher) (3/01, p.22) - "...Witty sonic cut-ups and a homespun attention to detial make THE UNSEEN a treat..." Mojo (Publisher) (p.112) - 4 stars out of 5 - "Madlib has dreamt-up a hip hop anti-hero who will endure." NME (Magazine) (9/4/00, p.35) - 8 out of 10 - "...One more inspired step into, quite literally, THE UNSEEN....the most addictive record you'll spend your entire summer trying to decipher..."
Rovi

Quasimoto's The Unseen is one of the most imaginative albums of the new West Coast underground, a puzzling, psychedelic jazz-rap gem riddled with warped humor and fractured musical genius. Producer Madlib actually outdoes his inventive work on the Lootpack's debut album, Soundpieces: Da Antidote!, crafting deep, dreamy jazz loops littered with found sounds and wiggy vocal samples. Quasimoto's helium-huffing voice is actually Madlib's, electronically altered for an effect not unlike Prince's abandoned Camille project. It might put some listeners off as gimmicky, and it's really a shame if it does, because it isn't really the focal point of The Unseen's left-field brilliance. It's more of an added textural element for Madlib's off-kilter soundscapes and a vehicle for the cartoonish humor hinted at in his choice of samples. The lyrics are highly free-associative (that is to say, stoned beyond belief), and by turns paranoid, threatening, or hallucinatory. But it all melts into the warm, druggy haze of the music; unlike, say, the Wu-Tang Clan or Dr. Octagon, this dream isn't supposed to be a nightmare. Quas' scattershot flow isn't what you'd call technically accomplished, but that's by design -- he's supposed to be fragmented, not quite all there. The song structures are similarly loose, with rhymes coming from nowhere and disappearing just as quickly; the tracks are short (all under four minutes) and end abruptly, as though Quas is too blunted to think of anything else to say. (Madlib does appear as himself on occasion, and usually sounds just as noncommittal as his "collaborator.") Highlights are plentiful, and include the brilliant singles "Microphone Mathematics" and "Come on Feet," the bizarre trash-talking of "Bad Character" and "Put a Curse on You," and the joy-of-music cuts "Return of the Loop Digga" and "Jazz Cats, Pt. 1," which recount Madlib's obsession with record collecting and name-check his favorites. It takes some time to assimilate, but The Unseen gradually reveals itself as one of the most unique and rewarding albums of its era. ~ Steve Huey
Rovi

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madlibの別名プロジェクト
残念なニュースですが、当本人の家が全焼してしまった2025年初旬頃に、
このアルバムもサブスクから姿を消しました。。
私は支援の意味も込めて、こちらのアルバムを購入しました。

やっぱりいい!!
アルバムの背景として、一人で山奥にこもり、キノコを食べて制作されたというこのアルバム。
彼が山奥の一室の散らかった卓上でビーニーを被ってmpcを前に首振ってる像が浮かびます
ハイトーンでピッチの上ずった声は、自身の声の暗いトーンが気に入らなかったので加工しているとのこと。
発声を変えようとかではなく、機械側でいじって形にするのが"いかにも"って感じでいい
そして、それがマッチしてるんだよな~。
ビートがかっけえのもさることながら、この声が中毒性を搔き立てます。
折に触れてこの声が再生されるんですよね~
そして、やっぱりこの手の作品はアルバム単位で聞くといいですね~
最初は 「Bad Character」やら「Low Class Conspiracy」が好きだったのですが、結局全部最高じゃんってのが今の所感。
(サブスクだとアルバム単位で聞こうとしなかったりするし、ブツとして持つのが大正解だなと)

2025/12/20 タカナさん
0

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