構成数 | 1枚

合計収録時間 | 00:56:42

Hapa: Barry Flanagan (acoustic, electric & 12-string guitars, sitar, ukulele, Hammond B-3 organ, percussion, background vocals); Kel'i Kaneal'i (vocals, guitar). Additional personnel: Charles Ka'Upu (chant); Clyde Kaimana (banjo); Claire Sakai-Hazzard, Keiko Zau, Helen Higa, Steven Kim, Zhou Yu, Karen Bechtel (strings); Sal Godinez (electric piano); Doug White, Jimmie Kaopuiki, Martin Pahinui (bass); Lawrence Lieberman (drums, percussion); Pauline Wilson (background vocals). Recorded at Kahala Studios, O'Ahu, Hawaii. All tracks have been digitally mastered using HDCD technology. Personnel: Barry Flanagan (vocals, guitar, acoustic 12-string guitar, electric guitar, electric 12-string guitar, 12-string guitar, sitar, electric sitar, ukulele, synthesizer, percussion); Keli'i Kaneali'i (vocals, 12-string guitar); Mister Don Ho (vocals); Mele a Paku'i, Charles Ka'upu (chant); Steve Grimes (guitar); Casey Olsen (steel guitar); Steve Kim, Claire Sakai-Hazzard, Helen Higa, Keiko Zau, Zhou Yu (strings); Sal Godinez (electric piano); Gaylord Holomalia (synthesizer, wind); Larry Lieberman (drums, percussion). Recording information: Studio Kahala, Island Of O'Ahu. Author: David Millman. Photographer: Danna Martel. Translators: Barry Flanagan; Charles Ka'upu. Unknown Contributor Role: Gaylord Holomalia. Arranger: Barry Flanagan. Hapa, a duo consisting of Honolulu native Keli'i Kaneali'i and New Jersey's own Barry Flanagan, teamed up to release In the Name of Love in 1997, taking its title from the U2 song (which is also featured on the album as a cover). Also covered is Carlos Santana's "Europa," which works quite well for a basic acoustic guitar type of sound, when performed properly. On the album there are more or less two styles of music that emerge. The first is a basic U2 type of sound (not too surprising, given the title), but mixed with a small amount of Hawaiian paniolo-style guitar, which gives an almost throbbing beat behind a driven song or melodic line. The second form is the ballad, which Barry Flanagan (who also wrote most or all of the songs on the album) appears to favor quite a bit. The ballads appear throughout the album, sometimes in English, sometimes translated to Hawaiian. Overall, it's quite a good album, with its varied styles and a few surprises, such as a more traditional Hawaiian chant by friend Charles Ka'upu and a rendition of the classic "Sleepwalk." Also, for fans of Hawaiian music in general, Don Ho appears on the "Waikiki Beachboy Song." Pick it up. ~ Adam Greenberg

録音 | ステレオ (Studio)