| フォーマット | CDアルバム |
| 発売日 | 1997年07月29日 |
| 国内/輸入 | 輸入 |
| レーベル | Arista |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 18738 |
| SKU | 078221873826 |
構成数 : 1枚
合計収録時間 : 01:15:56
Personnel: Lisa Stansfield (vocals); Wah Wah Watson, Des Moore (guitar); Simon Vance, Drusilla Harris, Jan Nossek, Richard Thirlwell, Martin Clark, Julia Hoyle, Vivien Birdsall, Louise Peacock, Kate Evans, Min Yang, Clare Dixon (strings); Dan Higgins, Chris "Snake" Davis (saxophone, flute); Jerry Hey, Gary Grant (trumpet, flugelhorn); John Thrikell (trumpet); Bill Reichenbach (trombone); Ian Devaney (keyboards, guitar, programming); Gary J. Crockett, Neil Stubenhaus (bass); Snowboy, Luis Conte (percussion); Peter Mokran (programming, guitar, keyboards); Aileen McLaughin, Anna Ross (background vocals).
Personnel: Lisa Stansfield (vocals, background vocals); Ian Devaney, Peter Mokran (guitar, keyboards, programming); Wah Wah Watson, Des Moore (guitar); Viven Birdsall, Martin Clark, Louise Peacock, Claire Dixon, Min Yang, Kate Evans , Julia Hoyle, Richard Thirlwell, Jane Nossek, Simon Vance, Drusilla Harris (strings); Dan Higgins , Snake Davis (flute, saxophone); Gary Grant, Jerry Hey (trumpet, flugelhorn); John Thirkell (trumpet); William Frank "Bill" Reichenbach Jr. (trombone); Luis Conte, Snowboy (percussion); Aileen McLaughlin, Annie Ross (background vocals).
Audio Mixers: Ian Devaney; Peter Mokran.
Audio Remixers: Dan Bewick; Matt Frost.
Recording information: 1997.
Photographer: Neil Kirk.
Arrangers: Ian Devaney; Lisa Stansfield; Peter Mokran; Richard Darbyshire.
For her return to American shores after a six-year absence, Lisa Stansfield packed her self-titled album with slower and more emotive material. Songs like "I'm Leavin'" feature Stansfield supported by her En Vogue-like background singers, while "The Line" is in the same vein, but with a faster tempo and a funkier reading by Stansfield.
But not all of LISA STANSFIELD is heartbreak and tear-stained letters. The Mancunian soul singer uses lush orchestration, wah-wah guitar and bright sounding piano on "The Real Thing" and later flirts with acid-jazz by incorporating flutes and an up-tempo beat into the heart of "You Know How To Love Me." Most interesting is a cover of her hero Barry White's "Never, Never Gonna Give You Up." Staying true to the full arrangements of the original, Stansfield updates this classic by adding a lo-fi drum machine rhythm and a scratching turntable to her version.
録音 : ステレオ (Studio)
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。