Jazz
CDアルバム

Basically With Blue

0.0

販売価格

¥
2,690
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2004年04月08日
国内/輸入 輸入
レーベルBlack & Blue
構成数 1
パッケージ仕様 -
規格品番 BB890
SKU 3448961089028

構成数 : 1枚
合計収録時間 : 00:43:19

  1. 1.[CDアルバム]
    1. 1.
      Look Out Jack!

      アーティスト: Milt Hinton

    2. 2.
      Joshua Fit the Battle of Jericho

      アーティスト: Milt Hinton

    3. 3.
      Mean to Me

      アーティスト: Milt Hinton

    4. 4.
      Me and You

      アーティスト: Milt Hinton

    5. 5.
      Prelude to a Kiss

      アーティスト: Milt Hinton

    6. 6.
      Undecided

      アーティスト: Milt Hinton

    7. 7.
      How High the Moon

      アーティスト: Milt Hinton

    8. 8.
      Laughing at Life

      アーティスト: Milt Hinton

    9. 9.
      Mona's Feeling Lonely

      アーティスト: Milt Hinton

    10. 10.
      (Back Home Again In) Indiana

      アーティスト: Milt Hinton

    11. 11.
      Toneing Down

      アーティスト: Milt Hinton

    12. 12.
      Walking Through the Woodyard

      アーティスト: Milt Hinton

作品の情報

メイン
アーティスト: Milt Hinton

商品の紹介

Milt Hinton was one of the busiest bassists in the history of recorded music and not just in the world of jazz. But Hinton led relatively few dates of his own during his long career; when he got the opportunity, he made the most of it. This 1976 session features him leading a trio with pianist Cliff Smalls and drummer Sam Woodyard (who sticks to brushes for most of the date), mixing originals and standards in equally swinging fashion. The brisk opener features a fine solo by the leader and playful exchanges between the three men. Hinton's take of the old spiritual "Joshua Fit the Battle of Jericho" is a real swinger, not nearly as dramatic as the unaccompanied versions he became famous for later in his career. Hinton's warm arco bass introduces a lush treatment of Duke Ellington's "Prelude to a Kiss" before he returns to playing pizzicato. Smalls and Hinton share the limelight in the delightful take of "How High the Moon." Since the bassist spent so much time on the road, it isn't surprising that he composed a bluesy tribute to his devoted wife Mona, "Mona's Feeling Lonely," though he doesn't sing his lyrics on this version. The leader showcase his formidable bass-slapping technique in the superb rendition of "(Back Home Again In) Indiana." This Black & Blue CD reissue of the earlier LP adds a bonus track, a brisk blues called "Walking Through the Woodyard" that features the drummer to good effect. It is odd that the label thoughtlessly omitted composer credits to the songs. Fans of one of the greatest bassists in jazz history should pick up this release immediately. ~ Ken Dryden|
Rovi

Milt Hinton was one of the busiest bassists in the history of recorded music and not just in the world of jazz. But Hinton led relatively few dates of his own during his long career; when he got the opportunity, he made the most of it. This 1976 session features him leading a trio with pianist Cliff Smalls and drummer Sam Woodyard (who sticks to brushes for most of the date), mixing originals and standards in equally swinging fashion. The brisk opener features a fine solo by the leader and playful exchanges between the three men. Hinton's take of the old spiritual "Joshua Fit the Battle of Jericho" is a real swinger, not nearly as dramatic as the unaccompanied versions he became famous for later in his career. Hinton's warm arco bass introduces a lush treatment of Duke Ellington's "Prelude to a Kiss" before he returns to playing pizzicato. Smalls and Hinton share the limelight in the delightful take of "How High the Moon." Since the bassist spent so much time on the road, it isn't surprising that he composed a bluesy tribute to his devoted wife Mona, "Mona's Feeling Lonely," though he doesn't sing his lyrics on this version. The leader showcase his formidable bass-slapping technique in the superb rendition of "(Back Home Again In) Indiana." This Black & Blue CD reissue of the earlier LP adds a bonus track, a brisk blues called "Walking Through the Woodyard" that features the drummer to good effect. It is odd that the label thoughtlessly omitted composer credits to the songs. Fans of one of the greatest bassists in jazz history should pick up this release immediately. ~ Ken Dryden
Rovi

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