Seal (2nd Album) [CD+DVD] ［CD+DVD］

構成数 : 2枚
合計収録時間 : 00:52:01
Personnel includes: Seal (vocals, guitar, bass); Chris Bruce (guitar, bass); Tim Pierce, Gus Isadore, Tim Cansfield (guitar); Pete Murray (piano, keyboards); Mark Baston (keyboards, programming); Jamie Muhoberac (keyboards);Ian Thomas, Earl Harvin (drums); Luis Jardim (percussion); Alan Griffiths (programming); Tessa Niles (background vocals). Personnel: Seal (guitar, keyboards); Trevor Horn (guitar, piano, keyboards); Alan Griffiths (guitar, drum programming); Chris Bruce, Gus Isidore, Heitor Pereira, Tim Pierce, Tim Cansfield (guitar); Mark Batson (acoustic guitar, wah-wah guitar, piano, Fender Rhodes piano, Clavinet, organ, Wurlitzer organ, synthesizer, bass synthesizer, drum programming); Jamie Muhoberac, Pete Murray (piano, keyboards); Carlos Rios (keyboards); Earl Harvin, Ian Thomas (drums); Luis Jardim (percussion); Charlie Russell (drum programming); Tessa Niles (background vocals). Audio Mixers: Robert Orton; Tim Weidner. Recording information: Angel Studios; Phoenix Studios; Sarm Hook End; Sarm west. Photographer: Sacha Waldman. All set to record what would become SEAL IV, the album's namesake ended up tossing a large number of tracks and returned to his London hometown to start anew after living in Los Angeles for 12 years. The result is a dozen songs with a gritty texture that better reflect the Paddington-born native's affinity for soul and reggae more so than prior work. Blessed with a burnished vocal style, Seal uses it to great effect whether he's growling out the intro to irresistible numbers like the swaggering "Waiting for You" or sounding like a cross between Teddy Pendergrass and Bobby Womack on the party invitation "Get It Together." Longtime producer Trevor Horn keeps a steady hand on the rudder, executing a concise balance of lush orchestral arrangements and ethereal keyboards on songs ranging from the ambient lovemaking invitation "Heavenly...(Good Feeling)" or the can't-miss slow jam "Don't Make Me Wait." Seal's considerable talents find him bouncing between sweeping epics such as the heavenly "Love's Divine" and snappier fare like "Let Me Roll," where this prim and proper Brit gets to strike a good-natured, faux b-boy pose.