Jazz
CDアルバム

Kicks! The Best of Oscar Brown

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フォーマット CDアルバム
発売日 2004年03月29日
国内/輸入 輸入
レーベルBGP/Beat Goes Public
構成数 1
パッケージ仕様 -
規格品番 159
SKU 029667515924

構成数 : 1枚
合計収録時間 : 01:05:56
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Work Song

      アーティスト: Oscar Brown Jr.

    2. 2.
      The Snake

      アーティスト: Oscar Brown Jr.

    3. 3.
      The Snake
    4. 4.
      Straighten Up and Fly Right
    5. 5.
      Hum Drum Blues
    6. 6.
      Signifying Monkey
    7. 7.
      It Ain't Necessarily So
    8. 8.
      Afro Blue
    9. 9.
      Dat Dere
    10. 10.
      Hazel's Hips
    11. 11.
      Watermelon Man
    12. 12.
      Jeannie
    13. 13.
      Tall Like Pine
    14. 14.
      Sixteen Tons
    15. 15.
      But I Was Cool
    16. 16.
      One for My Baby
    17. 17.
      Opportunity Please Knock
    18. 18.
      All Blues
    19. 19.
      Excuse Me for Living
    20. 20.
      Work Song
    21. 21.
      When Malindy Sings
    22. 22.
      Elegy (Plain Black Boy)
    23. 23.
      The Tree and Me

作品の情報

メイン
アーティスト: Oscar Brown Jr.

商品の紹介

With 23 tracks from all four of Brown's early-'60s albums for Columbia, this is the finest representation of the singer's work on record. It's true that it doesn't include some worthy post-Columbia material, particularly cuts from the 1964 live recording Mr. Oscar Brown Goes to Washington (such as "Brother Where Are You?"). It's also true that some fans might have minor quibbles with the songs selected for this best-of, which omits numbers like "Rags and Old Iron," "Brown Baby," and "Man, Ernest Boy" that could have made worthy inclusions. Yet it's hard to argue with what is here, including as it does standouts like the oft-covered "Work Song" (in two versions, actually); his vocal adaptations of Mongo Santamaria's "Afro Blue," Duke Pearson's "Jeanine," and Miles Davis' "All Blues"; "But I Was Cool," one of the most humorous jazz vocal pieces ever; and more serious numbers adapting the work of African-American poetry, "Elegy (Plain Black Boy)," and "When Malindy Sings." The four standards taken from In a New Mood are the least interesting numbers, but at least everything else on the CD is a Brown original, or an adaptation of a musical or literary work to which Brown added new words and/or music. Though he was perhaps a bit too theatrical in his singing and songwriting to get as hip a reputation as gutsier, moodier performers like Nina Simone (who covered several Brown songs in her early days), this remains some of the best music to fuse jazz, pop vocals, and African-American consciousness. ~ Richie Unterberger
Rovi

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