| フォーマット | CDアルバム |
| 発売日 | 1991年08月27日 |
| 国内/輸入 | 輸入 |
| レーベル | MCA Records |
| 構成数 | 2 |
| パッケージ仕様 | - |
| 規格品番 | 8016 |
| SKU | 076732801628 |
構成数 : 2枚
合計収録時間 : 01:24:52
Personnel: B.B. King (vocals, guitar); Leonard Gill, John Jones (guitar); Hilton C. Joseph (tenor saxophone); Edgar Synigal (baritone saxophone); Lonny LaLanne, Calvin Owens, John Willie Cook (trumpet); Steve Sherard (trombone); Phil Blackman (keyboards); Russell Jackson (bass); Calep Emphrey (drums); Nana Vasconcelos (percussion).
Personnel: B.B. King (vocals, guitar); Johnny Jones , Leonard Gill (guitar); Hilton Joseph (saxophone, tenor saxophone); Eddie Saxman Synigal (saxophone, baritone saxophone); John Willie Cook, Lonny Lalanne, Calvin Owens (trumpet); Steve Sherard (trombone); Phil Blackman (keyboards); Russell Jackson (bass guitar); Calep Emphrey (drums); Nana Vasconcelos (percussion).
Recording information: University Of Mississippi.
Director: Calvin Owens.
Unknown Contributor Role: Gene Harris.
King has always been a consummate showman, to the extent that it's often seemed like his mission to prove that the blues can be played uptown, in nightclubs and theaters, not just on backporches and in smoky bars. His outsized personality and natural gift for engaging a crowd are evident on this two-disc live recording. It probably didn't hurt B.B.'s confidence any that he was in his home state of Mississippi, either.
Backed by a full complement of swinging, almost jazzy players, including King's usual horn section and organ, the Blues Boy revels in the interaction between performer and audience. After charging out of the gate with an exceptionally fierce version of "Caldonia," King goes on to mesmerize his listeners with a good-humored monologue about the battle of the sexes, which he intersperses with a medley of blues tunes. Included in this effective showpiece is one of the most trenchant couplets King has ever written: "Nobody loves me but my mother/And she could be jiving too." Fortunately, salvation lurks close at hand in the form of his stinging guitar work and the joyous communion between King, his band and the audience. This communion is what makes OLE MISS a memorable event.
録音 : ステレオ (Live)
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