Masterjam

構成数 : 1枚
合計収録時間 : 00:39:31
Rufus: Chaka Khan (vocals), Tony Maiden (guitar, vocals), David "Hawk" Wolinski, Kevin Murphy (keyboards), Bobby Watson (bass), John Robinson (drums, percussion, handclaps). Additional personnel: Kim Hutchcroft, Larry Williams (saxophones, flutes), Jerry Hey, Gary Grant, Larry Hall (trumpets, flugelhorns), Bill Reichenbach, Lew McCreary (trombones), Louis Johnson, George Johnson, Richard Heath (percussion, handclaps). Personnel: Chaka Khan (vocals, background vocals); Tony Maiden (vocals, guitar); David "Hawk" Wolinski, Kevin Murphy (vocals, keyboards); Bobby Watson (vocals); Sid Sharp (strings); Kim Hutchcroft (flute, saxophone, horns); Larry Williams (flute, saxophone, wind); Gary Grant, Larry Hall (trumpet, flugelhorn, horns); Jerry Hey (trumpet, flugelhorn); Lew McCreary, William Frank "Bill" Reichenbach Jr. (trombone); Seawind (horns); John "J.R." Robinson (drums, hand claps, percussion); George A. Johnson, Jr. , Louis Johnson, Richard Heath (hand claps, percussion). Audio Mixer: Bruce Swedien. Directors: Rufus; Chaka Khan. Photographers: Ed Caraeff; Bobby Holland . Arrangers: David "Hawk" Wolinski; John "J.R." Robinson ; Bobby Watson ; Kevin Murphy ; Jerry Hey; Rod Temperton; Tony Maiden; William Frank "Bill" Reichenbach Jr. ; Chaka Khan. As Khan released her first solo album, I'm Every Woman, the band released 1978's Numbers, sans Khan, and it went absolutely nowhere. Masterjam finds them back together, renamed Rufus and Chaka, with Quincy Jones producing the effort. Khan had worked with Jones on his 1978 album, Sounds...And Stuff Like That. The most striking thing about Masterjam is that is doesn't sound like a trademark Rufus effort. Jones' production style is so strong that the band's individual sound is all but lost. It's nothing to cry about, since Jones was at his R&B/pop peak and Rufus couldn't do it any better on their own. The album's first track is "Do What You Love What You Feel," with its subtle horn riffs arranged by Jerry Hey and vocals from guitarist Tony Maiden and Khan. On a track somewhat close to a ballad, the brilliantly arranged "Heaven Bound," Jones gets a good raw vocal from Khan. A frequent Jones collaborator, Rod Temperton, offers the title track and the even better "Live in Me." The album's only low point was a cover of Jones' own "Body Heat." On this version the pace is quickened, inexplicably turned into disco which revealed the lyrics to be paper-thin. Although Masterjam was just more of a Quincy Jones album than a Rufus effort, this ended up being one of the groups' last successful full-studio endeavors. ~ Jason Elias
録音 : ステレオ (Studio)