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CDアルバム

Time Has Come

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販売価格

¥
2,690
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1998年03月17日
国内/輸入 輸入
レーベルMouth Almighty Records
構成数 1
パッケージ仕様 -
規格品番 534467
SKU 731453446724

構成数 : 1枚
合計収録時間 : 00:44:26
The Last Poets: Don "Babatunde" Eaton (drums); Abiodun Oyewole, Umar Bin Hassan. Additional personnel: Jamal Whatley, Khalil Muhammad Hassan, Chuch D (vocals); Pharoah Sanders (tenor saxophone); Aiyb Dieng (chatan, talking drum, congas, bells, gongs, percussion); DXT (kalimba, background vocals); Pharoah Davis, Andre Zachery (background vocals). Principally recorded at Greenpoint Studio, Brooklyn, New York. Includes liner notes by Bill Adler. Personnel: (Ex) Cat Heads (vocals); Pharoah Sanders (tenor saxophone); Aiyb Dieng (congas, talking drum, percussion, bells, gong); D.X.T. (kalimba, background vocals); Andre Zachery, Pharoah Davis (background vocals). Audio Mixer: Keith Shocklee. Liner Note Author: Bill Adler. Recording information: Greenpoint Studio, Brooklyn, NY. Photographers: Piotr Sikora; Yoomi Chong. Arranger: Bill Laswell. Picking up where Holy Terror and Umar Bin Hassan's solo album Be Bop or Be Dead left off, The Time Has Come is a scalding blend of avant-jazz, bebop and hip-hop, highlighted by cameos from Chuck D and Pharoah Sanders. These two guests may be impressive, but they don't steal the show -- they merely demonstrate that the Last Poets are too diverse and way too smart to be pigeonholed into one particular category. Occasionally, the record may be a bit unfocused, and its relentless barrage of avant-poetry may be headache-inducing to some, but few records are as politically powerful and articulate as this. ~ Leo Stanley
録音 : ステレオ (Studio)

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    11. 11.
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作品の情報

メイン
アーティスト: The Last Poets

その他
プロデューサー: Bill Laswell; Thomas Piper; DXT
エンジニア: Robert Musso; Keith Shocklee

商品の紹介

JazzTimes (9/97, p.65) - "...The Last Poet's reemergence was one of the more welcome events of the early '90s. And the follow-ups have been even more welcome....On their latest entry, TIME HAS COME, the trio display their still-sharp sociopolitically edged verbiage..." Vibe (5/97, p.114) - "...When you listen to TIME HAS COME, don't think of its soothing African polyrhythms and strident syllables as a complement to hip hop; but, instead, as a reaction to the neutered politics of Motown in the late '60s..." Rap Pages (7/97, p.88) - "...TIME HAS COME is one of those rare records that can be appreciated by people across the generational divide, one that you'll not only enjoy listening to, but will learn something from in the process..."
Rovi

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